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[The following is a conference presentation delivered at the American Academy of Religion’s annual conference in San Diego, under the auspices of the Political Theology programming unit.]
The topic of this presentation began as a joke—an exceptionally niche joke, but a joke nonetheless. For many election cycles now, I have been declaring my intention to vote for the katechōn rather than the man of lawlessness. The reference, which I hope is clear to most attendees at a political theology session, is to the New Testament book of 2 Thessalonians. There, Paul—or, more likely, a later pseudonymous author trying to tone down or “correct” Paul’s apocalyptic teaching in 1 Thessalonians—writes that, contrary to the views that some people attribute to him, the apocalypse is not near at hand but has been indefinitely delayed. The passage reads as follows:
Let no one deceive you in any way; for that day [of Judgment] will not come unless the rebellion comes first and the lawless one is revealed, the one destined for destruction. He opposes and exalts himself above every so-called god or object of worship, so that he takes his seat in the temple of God, declaring himself to be God. Do you not remember that I told you these things when I was still with you? And you know what is now restraining him, so that he may be revealed when his time comes. For the mystery of lawlessness is already at work, but only until the one who now restrains it is removed. And then the lawless one will be revealed, whom the Lord Jesus will destroy with the breath of his mouth, annihilating him by the manifestation of his coming. (2 Thessalonians 2:3-8)
In contrast to 1 Thessalonians, which encouraged Paul’s readers to look forward to the apocalyptic fulfillment of the resurrection of the dead, the pseudonymous author focuses almost exclusively on the destruction that will be wrought by the “man of lawlessness” once the force or individual restraining him—namely, the katechōn—is removed. God is still going to win out in the end, but perhaps the restrainer is a better bet for the time being.
The figure of the restrainer has been the object of considerable reflection in the field of political theology. In Nomos of the Earth, Carl Schmitt argued that the katechōn was the central concept of Christian politics, allowing it to bracket its apocalyptic expectations and get to work creating political institutions in this present world, and many—including me, in The Prince of This World—have argued that the concept of the modern state is a secularized version of this figure who restrains the forces of apocalyptic destruction. Those forces of destruction are normally envisioned as coming from outside the institutional order, whether in the form of foreign enemies or domestic insurrectionaries. My joke about voting for the katechōn, presumably as a form of negative polarization against the man of lawlessness, expressed the sense that contemporary political rhetoric tends to figure the danger as coming from inside the house—that is to say, one of the two traditional parties of government is claimed to represent a mortal threat to the institutional order as such.
And now, of course, the joke is on me, because I have foolishly agreed to write a conference presentation analyzing what turned out to be a devastating election result. I do not intend to use this as a forum for punditry or prediction, genres that most of us have presumably consumed in excess in the last few weeks. Instead, I intend to carry out a political theological investigation of the apocalyptic rhetoric that has marked American political discourse in recent decades—and, it should be noted, almost equally on both sides. Just as Kamala Harris presented Donald Trump as a mortal danger to the American republic, so too did he paint her potential victory as the death of the nation. By pointing this out, I don’t mean to claim that both sides are equally justified in their use of this rhetoric, nor to discount the profound fears that Trump’s return to power have aroused—fears that I very much share. Even if this election turns out to be the time the rhetoric comes true, however, it is still worth reflecting on what it means that a nation split almost perfectly 50-50 between two institutional parties that are both more than 150 years old has developed such an apocalyptic political culture.
I will carry out my analysis in two steps. First, after briefly laying out what I understand to be the task of political theology, I will try to gain some critical distance from our desperate political situation by drawing on Giorgio Agamben’s reading of 2 Thessalonians in his short book The Mystery of Evil, where he claims that the passage is not an apocalyptic vision but instead reveals the deep structure of Western political institutions. With these concepts on the table, I will then plunge back into our domestic political hellscape, using the American situation to show the limits of Agamben’s reading of 2 Thessalonians.
I.
I should begin my analysis proper by clarifying what I mean by political theology. I do not use the term to designate a politically-engaged normative theology—for instance, one that would provide us with values and hopes that would help us to cope with our present political situation. Such work is necessary for faith communities, but I am not a member of any faith community and don’t presume to dictate their political action to them. Instead, I am a critic and scholar, and I view the task of political theology as that of exposing the theological roots of political concepts. As I define it in Neoliberalism’s Demons, “Political theology is a holistic, genealogical inquiry into the structures and sources of legitimacy in a particular historical moment. Political theology in this sense is political because it investigates institutions and practices of governance (whether they are defined as state-based or economic, public or private), and it is theological because it deals with questions of meaning and value (regardless of the form the answers take)” (128). Hence I believe that political theology is especially well suited to analyze the apocalyptic turn in American political rhetoric not solely or even primarily because that rhetoric is drawing on religious patterns of thought, but because it points toward a profound crisis of legitimacy. By the same token, Agamben’s Mystery of Evil is an especially fruitful point of reference for this analysis not only because it discusses 2 Thessalonians, but because it is fundamentally a book about crises of legitimacy—which Agamben believes to afflict all Western institutions.
The text itself consists of two short essays that heavily overlap. The first is a reflection on Benedict XVI’s abdication from the papal throne due to old age, which strikes me as uncannily timely given that the defining moment of this election cycle was Biden’s withdrawal from the race for the same stated reason. Agamben views Benedict’s decision as exemplary because it “forcefully calls attention to the distinction between two essential principles of our ethico-political tradition, of which our societies seem to have lost all awareness: legitimacy and legality” (2). By admitting that he was unable to carry out the duties of his office any longer and stepping aside in favor of a more vigorous leader, Benedict was, in Agamben’s reading, asserting the purely spiritual power of his office rather than asserting his legal prerogative to hold the position until death. More than restoring the legitimacy of the church in the public eye, however, for Agamben Benedict’s resignation serves to expose how much the church has given up all claim of legitimacy by descending into the machinations of money and politics.
To that extent, then, Benedict’s gesture was a messianic one in Agamben’s terms. This is one of the slipperiest concepts in his arsenal, not least because it seems to evoke hopes of political revolution or apocalyptic fulfillment. For Agamben, though, the messianic is ultimately a philosophical category rather than a political or theological one. The messianic is not concerned with any particular historical revelation and especially not with any arbitrary sequence of future events that is supposed to lead to the end of history. Instead, the messianic exposes the dynamics of history by providing a point of view from which the operation of the “political machine” that structures our lives is suspended so that we can actually understand it—and perhaps thereby transform it. Agamben’s reading of theological texts, especially the texts of Paul, is therefore a kind of secularization of their insights. In The Time That Remains, for instance, Agamben claims that the famous “already/not-yet” dynamic of messianic expectation is not tied to the postponed arrival of a particular messianic figure known as Jesus of Nazareth, but instead provides us tools to understand the experience of time through language. Hence it turns out that there is something fundamentally messianic about rhyming in poetry, for instance.
Agamben clears the space for this kind of reading by asserting—idiosyncratically and, in my view, falsely—that Paul is emphatically not an apocalyptic thinker and that apparently apocalyptic passages should instead be read “messianically.” In the case of 2 Thessalonians, such an assertion is especially counterintuitive, since the passage has almost universally been regarded as an apocalyptic narrative in which the katechōn is taken to represent a concrete historical individual or institution—most often the Roman Empire. Nevertheless, Agamben finds a productive minority tradition in the fourth century theologian Tyconius, who is often classified as a Donatist heretic but who had a decisive influence on Augustine (and the young Joseph Ratzinger). For Tyconius, the katechōn is not an external agency like the Roman Empire, but the Church itself, insofar as it is still mired in sin. Whereas the conventional reading positions the katechōn as good, or at least as a necessary evil, Tyconius opens up the space to see this restraining power as a negative thing—and, in one of Agamben’s characteristic interpretive tours de force, to understand what pseudo-Paul calls the anomos in a more positive valence, not as a wicked individual or force, but as something that is “outside the law” in the same sense that Paul can describe the messiah and his followers as being “outside the law.”
Translating his extrapolation from Tyconius into more political terms, Agamben claims that “the katechōn is the power—the Empire, but also the Church, like every juridically constituted authority—that opposes and conceals the lawlessness that defines messianic time and in this way slows the revelation of the ‘mystery of lawlessness.’ The unveiling of this mystery coincides with the manifestation fo the inoperativity of the law and with it the essential illegitimacy of every power in messianic time” (33-34). Agamben applies this analysis directly to our present, “when the powers of state act openly as outside the law,” so that “the anomos does not represent anything but the unveiling of the lawlessness that today defines every constituted power, within which State and terrorism form a single system” (34).
Surely this last bit is evocative of all kinds of examples in all our minds, from police violence up to the president-elect’s solicitation of stochastic terrorism. Equally evocative is Agamben’s assertion that we cannot simply rely on the workings of the law to fix this problem of pervasive illegality. Here we might think of the attempt to solve police violence through improved training and procedures or the long-cherished (and now-thwarted) hope that the law will somehow save us from Trump. From Agamben’s perspective, however, we can see that this strategy was doomed to fail, because “the hypertrophy of law, which presumes to legislate over everything, on the contrary betrays, through an excess of formal legality, the loss of all substantial legitimacy” (3). Elsewhere he associates this excess of legality with “the paradigm of the self-regulating market [that] has taken the place of that of justice and [that] pretends to be able to govern an ever more ungovernable society according to exclusively technical criteria” (17). In either case, we are dealing with a legal or regulatory system that has dispensed with the need to establish its own legitimacy and has indeed attempted to collapse legitimacy into legality without remainder—in other words, to effect a final victory of the katechōn over the man of lawlessness.
The real solution, Agamben claims, is to find a way to hold in productive tension “the two coordinated but radically heterogeneous principles—legitimacy and legality, spiritual power and temporal power, auctoritas and potestas, justice and law—that constitute the most precious patrimony of European culture” (18). Rather than hoping for some ultimate end of history to arrive, we need to participate actively in the dynamic of history, recognizing that no constituted order can escape contestation over its legitimacy and that the attempt to shut down that contestation through purely legal means leads only to the worst forms of illegality and violence.
II.
Returning to the American political scene, we can see that both parties are engaging in their own form of apocalyptic speculation, in Agamben’s derogatory sense. Both are claiming, again and again, that they represent the katechōn over against the forces of lawlessness on the other side. Obviously the rhetoric is more plausible on the Democratic side, given Trump’s straightforward criminality and obvious ignorance of and contempt for the American constitutional system. But on the Republican side, Trump is taken to represent the avatar of a kind of natural order that is menaced by the Democrats’ supposed “woke” agenda. Both equally seem to imagine a final elimination of the lawless element. Democrats hope to defeat Trump once and for all, allowing a “strong Repulican Party” to rise from the ashes and begin the hard work of bipartisan dealmaking, while Trump supporters have more lurid fantasies of purging “woke” advocates from all positions of power and authority. Perhaps less obviously, I would also say that both sides share a kind of fetishization of the law. This is again clearest on the Democratic side, as they keep hoping that laws and norms will do their political work for them. But Republicans, too, seem to indulge in a kind of magical thinking where simply passing a law, or seizing a veto point, or locking in a permanent majority through gerrymandering, will simply be the end of the matter. That’s what I choose to hear in Trump’s declaration that his supporters will never need to vote again—not that he will somehow become dictator for life (or not only that), but that he will fix the system so completely and permanently that no one will ever be able to infect it with “wokeness” ever again.
If we return to the question of why the US should have such an apocalyptic political culture, Agamben’s analysis suggests that the reason is that American institutions are fundamentally illegitimate—hence menaced by the anomos. Neither side can fully admit that the anomos is coming from inside the house, however, so they project the lawless element onto their opponents, whom they then cast as foreign bodies to the republic that can and must be eliminated. And they have been in such a frustrating stalemate for so long because what they propose to do is impossible. The katechōn cannot finally win. Legality cannot finally swallow legitimacy whole. The attempt to make that happen is at best futile, as when Democrats allow their brief opportunities to govern to be fed through the woodchipper out of respect for “norms,” and at worst horrifically destructive, as with our worst fears about what Trump may actually be able to achieve this time around.
But what of Agamben’s prescription? What would it even look like to restore awareness of legitimacy as a principle heterogeneous to law? To me, the first step would be to break the taboo against even discussing major overhaul or even replacement of our absolutely abominable Constitution—but it’s difficult for me to imagine an actual overhaul or replacement happening without an intermediate stage marked by the old ultraviolence. And on a more conceptual level, I worry that Agamben is repeating, to a second degree, the same gesture he rightly critiques among the powers and principalities of our age. That is to say, I wonder if he is setting up the dynamic between legitimacy and legality, between the anomos and the katechōn, as a kind of meta-katechōn that staves off the decadence and violence that follows from the collapse of the tension between them. In other words, I wonder if he is offering us anything more than the naïve hope that we could make our existing order work if everyone would just act more in good faith, following the spirit of the law rather than weaponizing its letter. It is a telling sign of our predicament that such a seemingly obvious and even boring outcome seems roughly as likely as the coming of the messianic age.
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Kamala Harris’s closing pitch to the American people was to highlight the threat to democracy represented by Donald Trump. I share that sense of threat — lying about a stolen election and fomenting an insurrection to disrupt its certification are certainly not the marks of someone with a deep and abiding respect for democratic norms. And yet I also understand why that pitch has fallen flat, even among people who acknowledge the 2020 election result and disapprove of the January 6 attacks. After explaining why I find the mainstream liberal rhetoric on this position so unconvincing, I will discuss the more profound sense in which Trump and his movement represent a threat to the possibility of a more meaningful democratic culture emerging in the US, then conclude with some practical tips you can try at home.
1. A Critique of the “Threat to Democracy” Rhetoric
On the one hand, America has always had a tenuous grasp on democratic norms. Disputes over voting procedure and eligibility have always been part of the normal range of political contestation; gerrymandering has been “a thing” since the founding of the Republic; state and local elections are routinely scheduled strategically to decrease turnout and thus accountability; money plays such a huge role in election races that people seem to regard donation as almost more important than voting itself; the Senate is insanely malapportioned and has adopted even more anti-democratic rules on top of that; the two-party system artificially narrows the range of political options in a self-reinforcing way; the separate election of two houses of Congress and the Presidency all but guarantees divided government and thus gridlock most of the time, preventing the implementation of any coherent political program; and of course the Electoral College has allowed the loser to win twice in our young century, to the point where the popular vote has basically disappeared from public discourse. There simply is not a robust culture of democracy in the US. No rational American adult expects their vote to lead directly to any specified outcome. We vote mainly to try to prevent the worst, but there is no sense in which the people at large have a hand in setting the political agenda.
Within that context, the Democrats have done virtually nothing to create the conditions for more authentic democracy. No voting rights legislation was passed or even seriously taken up under Biden — in part because Senate Democrats can’t (or simply don’t want to) discipline their own party even on the purely procedural question of the fillibuster rule. Al Gore conceded to his virtually unprecedented 2000 Electoral College upset almost immediately and Democrats since have done nothing to call into question the institution that has effectively stolen two elections from them, both with disastrous consequences. Indeed, they seem to be “leaning in,” running narrowly focused campaigns on swing states while making no effort in Republican-leaning states. Nor was there any attempt to counteract the extremely unpopular Dobbs decision — in part because they concede in advance that the Supreme Court would simply strike it down again.
And simply at the level of rhetoric, it cannot be the case that the only way to defend authentic democracy is to vote for one and only one party forever and ever amen. It cannot be the case that voters are not allowed to register their dissatisfaction with the omnishambles of the Biden administration because the only other option the system allows is illegitimate and unacceptable — a claim that the Democrats don’t seem to even believe themselves, since Kamala Harris called to “congratulate” Trump on his victory, just as Obama cheerfully agreed to meet with him before handing over the keys and Hillary attended his inauguration.
Certainly Trump is going to be more supportive of restricting voting rights than the typical Republican, and he is going to empower and embolden others on the state level to take more repressive actions. Republicans will likely further lock down their veto points and exploit all avaliable leverage to thwart the popular will — above all on the question of abortion. He may even concoct a rationale to run for a third term and find his hand-picked Supreme Court willing to legitimize it. But the notion that he is somehow going to abolish elections or appoint himself dictator for life strains credulity. And again, if Democrats really believe that, then they should be willing to take much more radical action to prevent him from taking power than re-running Hillary’s campaign with a slightly more charismatic and likeable candidate. Either the Democrats don’t really believe Trump is a burgeoning dictator or they are cowards and fools of almost unimaginable dimensions. (Or both!)
2. A Broader Concept of Democracy Than “People Periodically Vote”
There is more to democracy than just voting. First, the people who propose to rule themselves must have some sense of shared identity, embodied in shared practices and institutions. Second, the community must be able to hold itself and its representatives accountable with reference to some kind of reality principle — some shared empirical basis for judging the success or failure of policies and projects. In the narrow sense of “people voting,” Tuesday’s absolutely disastrous and devastating election result was undeniably democratic. Yet the other two conditions are obviously lacking.
In terms of the first condition, Trump and the Republicans have set themselves up as the sole arbiters of who really “counts” as American, and they have inculcated an attitude of paranoia and distrust in their supporters through false accusations of voter fraud. More broadly, they clearly have no investment in American political institutions except insofar as they can be weaponized to give them more power, nor do they value public goods such as public schools, public libraries, public health regulations, etc., etc. And this connects up with the second condition. For example, the result of the 2020 presidential election is an undeniable, brute empirical fact — yet a strong pluarlity of our fellow citizens believe the obviously self-serving lies of a life-long scam artist over the unanimous testimony of election officials and judges from all 50 states and both parties. And that is only the most extreme instance of an attitude that rejects factual claims from experts precisely because they are made by experts.
What unites both of these two anti-democratic tendencies is their rejection of the public in favor of the private. And to that extent, Trumpian populism is a radicalization of the neoliberal ethos. In the classical era of neoliberalism, from roughly 1991 to 2016, the general consensus was that the purpose of public institutions was to set the rules of the game of market competition and to provide a range of public goods — such as basic research, official statistics, and the conditions for turning young human beings into productive human capital — that market actors had no incentive to reliably provide. Already, the value of public goods and public knowledge was implicitly called into question. They were not ends in themselves, but means to economic growth. Indeed, they were often even viewed as necessary evils, and as many such public duties were entrusted to private profit-seeking entities as possible.
In our new populist moment, by contrast, even this notion of the public as the necessary handmaiden of private accumulation has been delegitimized. Public schools don’t exist to induct students into a shared secular democratic culture, for instance, but are treated as hired hands to provide parents with babysitting services and to inculcate only those values the parents favor. Public libraries are not treated as repositories of certified knowledge, but as reflections of whatever arbitrary values or beliefs the surrounding community happens to have. And public office is increasingly treated as a private possession — above all by Trump, who jokes that he should get a “do-over” because he faced too much opposition and scrutiny to fully enjoy his first term and who muses that perhaps he should not have agreed to leave office in January 2021 after all.
This preference for private power over against public goods goes hand-in-hand with the racism, sexism, xenophobia, and other oppressive views characteristic of the radical right. The unfettered exercise of private power will inevitably mean the reassertion of traditional forms of dominance in private life — the superiority of the man over his wife, the ownership of children by their parents, the various hierarchies of race, etc., etc. In reality, the neoliberal order was fully compatible with such hierarchies, which festered and worsened even as exceptional individuals from disadvantaged groups enjoyed spectacular success. But even that token representation was experienced as a humiliation by many of our fellow citizens — above all Trump himself, who first stormed onto the political scene to spread lies meant to delegitimize our first Black president and who arguably chose to run for president specifically because Obama mocked him in his remarks at the Presidential Correspondents’ Dinner.
Reaganite deregulation was ostensibly meant to unleash wealth creation. Trumpian deconstruction of the administrative state is meant to make sure that there’s no one who can tell the boss what to do — no one to give workers or customers or anyone else any leverage against the hierarchy of private domination. Something similar is going on with the destruction of any public consensus on a shared reality through algorithmic manipulation. Where before one might decry wasting money on “useless knowledge,” now the goal is to make sure no genuine learning or understanding occurs at all — by feeding everyone a customized stream of bullshit that targets their own personal weaknesses and insecurities, a tendency that LLM-generated text and images will surely only amplify.
On both these points, the Democrats are again poor messengers, because they don’t genuinely believe in public goods or the disinterested pursuit of knowledge. They remain neoliberal through and through, meaning that they can’t get past arguing that quality public schools actually help economic growth or that we need to learn stuff because it’s a knowledge economy — or whatever the fashionable corporate bullshit happens to be today. “Greening the economy will create jobs and help us compete against China!” Seriously: shut the fuck up.
3. It’s the Capitalism, Stupid!
We can fight these tendencies and create more livable conditions. People have done so in the past, to varying degrees of success. But all of these tendencies are intrinsic to capitalism. We may well be entering a new phase that will make us nostalgic for neoliberalism — a phase centered more on establishing economic autarky and zero-sum competitions between nations — but it’s still going to be capitalism, which means that it’s still going to be exploitative, racist, endlessly hungry from free reproductive labor, etc., etc. We can’t solve those problems in the long run with solutions that are fundamentally parasitical on capitalist production, such as the welfare state or universal basic income, even if they are financed through the vulgar online MMT magical thinking of “helicopter money.”
We need to figure out ways of organizing our communities and our values and our livelihoods in non-capitalist ways. That has been more or less off the table for a generation, in large part because the biggest large-scale experiment with doing that spectacularly collapsed and everyone decided that the system jerry-rigged between two world wars in a peasant society was the only possible way you could do anything other than capitalism. We need to stop letting our rejection of a society that is dead and gone (and that ever fewer people still alive even directly experienced) limit our imagination.
And we need to get the fuck off of social media as soon as possible. I know I am late to this game, having held out at Twitter way too long and then tried to make Bluesky work. The beginning of the end for me was a huge blow-up around a Financial Times column that averred that Bluesky was a liberal bubble, prompting much indignation. After I gave up actively contributing, I have occasionally taken a peek in there and — good grief, it is absolutely absurd. It’s like the liberal version of when we used to make fun of Fox News for suddenly lurching to Hillary Clinton’s ancient scandals while Trump’s trials were going on. The immense levels of cope, verging on the conspiratorial (one pollster in Iowa has figured out it’s going to be a Harris landslide), made me feel like I was on another planet.
We all need to read more — really read. We can’t keep getting our news in two-sentence bursts or trying to have serious discussions with decontextualized fragments. We need to keep some kind of intellectual culture alive, because public schools are dying and universities no longer care about such matters. We need to keep ahold of reality. Like Matthew Ellis — whose excellent post today I have had in the back of my mind as I wrote this — I would encourage you to read the financial press. I subscribe to the Financial Times currently, and find it refreshingly factual (complete with non-tendentious headlines, for my Bluesky bros!). I’ve subscribed to Bloomsburg Businessweek in the past and found it excellent. You would be unimaginably better informed if you just read one of those regularly and subscribed to the New Left Review than you will ever be from scrolling on social media.
We are in a really bad situation. I don’t know how to make it better, but I do know we need to stop making ourselves actively stupider.
Quicktake: The No. 1 spot on World’s 50 Best Bars 2024 is held by Handshake Speakeasy in Mexico City. From France, the Cambridge Public House, Bar Nouveau, and Danico all […]
Welcome to the weekly guide on where to drink in Paris! Every Wednesday, I spotlight three bars including an old favorite worth revisiting, something new (bars, menus, etc.) and something […]
Welcome to the weekly guide on where to drink in Paris! Every Wednesday, I spotlight three bars including an old favorite worth revisiting, something new (bars, menus, etc.) and something […]
Welcome to the weekly guide on where to drink in Paris! Every Wednesday, I spotlight three bars including an old favorite worth revisiting, something new (bars, menus, etc.) and something […]
San-J’s Tamari Soy Sauce can be found on store shelves in all 50 states and Puerto Rico. While the company operates a plant near Tokyo, Sato's father built a facility in Henrico in 1987.
To help promote my forthcoming book and to give me somewhere to put my many thoughts about Star Trek in general, I have started a new Substack, also entitled Late Star Trek. You can read the first post here.
I have been spending a lot more time thinking about logic and math than I ever would have anticipated even as recently as five years ago. I’ve read books that were essentially about the square root of two, or how many points are on a line, and my current train reading is a primer on non-Euclidean geometry. Meanwhile, formal logic has become a staple of my teaching, both in the philosophy department and in the Shimer Great Books program. And who do I have to thank for all of this? Hegel.
During the pandemic, I was part of an intense reading group on Hegel’s Science of Logic. I have seldom read a book so hard — reading the section for the next meeting (often as little as ten pages) multiple times over, poring over every page during our long discussions, even poking at the German text. It is well-known to be among the most challenging texts in the Western philosophical canon, and I found it to be among the most rewarding as well. I haven’t spent much time with the text since then, but it often feels like everything I do — or at least everything new in my teaching and reading — is somehow related to it. I initially volunteered to teach logic in the philosophy department both to prepare for the Shimer course on logic and math and to get a handle on the syllogism, which is so central for Hegel. I have increasingly been teaching history of science courses, and I am drawn to non-reductionist accounts of the emergence of life out of physics and chemistry that echo the final passages of the Science of Logic. I don’t know when or even whether I will ever have a level of expertise needed to write credibly on these subjects, but my encounter with Hegel has profoundly shaped the way I look at the world.
It has also shaped the way I teach logic. As I have grown more confident and fluent in my syllogisms, I have tried to give my students a sense of how and why they work — something that neither the Copi/Cohen or Hurley textbook is much concerned with. They just list the valid forms and provide a dense proof (which they all but invite the reader to skip) as to how all of them fulfill the syllogistic rules, which are in turn simply presented as brute facts to be memorized. By contrast, I try to show how all the forms are generated out of the famous Barbara (AAA-1) form, and why the figures other than the first are more limited in their range of possible valid conclusions. (An initial effort at such an explanation can be found in this post.) I don’t want them to simply recognize that the EIO form is valid in all figures, I want them to know why.
At the end of the day, though, this knowledge inevitably collapses into a merely mechanical memorized list. Once I created a kind of algorithm for how to generate the 15 unconditionally valid (or Boolean) forms, the list became a permanent possession for me. To get there, I spent many a walk to the train pondering the mysteries of three overlapping categories — once I “had it,” I lost all patience for further reflection. It became boring, inert.
That tendency is what Hegel is constantly fighting against in the Science of Logic. He wants to show us how logic emerges into life, and he injects genuine drama into the whole affair. Yet as we progressed through the massive tome, the past sections inevitably became subject to rote memorization: first Being, then Nothing, then Becoming, then Existence….. Remember, Quality comes before Quantity! Many people, including no less an authority than Jameson, will tell you that all you “really need” is the Encyclopedia Logic, but in that text, I feel that Hegel has already succumbed to the tendency toward mechanism. Each step becomes something to be rattled off, without bothering so much with the connective tissue. Symptomatic here is the conversion of the “Remarks” — so energetic and tightly argued in the Science of Logic, beginning with scornful and even sarcastic attack on anyone who would deny that Being and Nothingness are the same — into the more disconnected “riffs” (my translation of the German Zusätze) in the Encyclopedia Logic‘s lecture notes.
I keep trying to forestall that moment by giving myself fresh challenges — for instance, trying to teach basic logic directly “out of” Aristotle’s original texts, which is… super hard. I also continue to delve more and more into the project of modern logic and its interpentration with mathematics. In part this is to help my teaching in the Shimer course, which requires me to find a way to help the students through the difficult territory of non-Euclidean geometry or Gödel’s Proof. But in part it’s also to confirm my intuition that the entire project is, in a very real sense, insane. And not only that, but the most fervently held desire — namely, to develop a completely rigorous, self-contained, and autonomous axiomatic system with no necessary grounding in intuition or any external reality — has been rigorously proven to be impossible on its own terms.
Hegel’s approach to logic is often regarded as self-evidently misguided in modern terms, and a whole literature has arisen trying to “save” Hegel through a reductionist reading. The reason is that, from the outset, Hegel is clearly breaking some of the most basic rules of contemporary logic. Above all, he repeatedly violates the existential fallacy (indeed, that is one of his very first moves). Hegel died shortly before the Boolean revolution got underway, but I think it’s obvious that he would have rejected its terms completely. The purpose of logic isn’t to create a purely self-sufficient abstract system, but to found our understanding of the world, which we cannot finally understand without presuming that it is in some sense proto-logical “in itself.”
This is not to say that nature is governed by abstract “laws” or that it has an inherently “mathematical” structure. The concepts we use to grasp nature always have to be won through the struggle of our own understanding — they do not come ready-made. Indeed, I think Hegel would agree with Lee Smolin that the remarkable effectiveness of mathematical tools in grasping the natural world is grounded in the humble fact that at every level we know of, nature presents itself as an ensemble of discreet entities that we can count.
Hegel lived a bit too early to put it this way, but I would say that our logical categories cannot be divorced from our empirical intuitions because our minds evolved out of our natural environment in order to grasp it. Pretending otherwise — no matter how complex and rigorous the results — collapses into contradiction and, worse, triviality.
Even so, I do mostly stick to the Boolean system of syllogisms for the sake of my teaching, because there’s only so much world and time. And in case you’re curious, here is my method for generating the fifteen unconditionally valid forms. First, I presume that you have the forms in the first figure memorized, which is easy enough because they’re all pretty intuitive (see the above-linked post for more of an explanation):
AAA-1
EAE-1
AII-1
EIO-1
Then, starting again from AAA-1, you list out the same forms horizontally, incrementing the figure on each one:
AAA-1
EAE-2
AII-3
EIO-4
EAE-1
AII-1
EIO-1
In the second and third column, you then write a form with the premises reversed, and you add those “new” forms to the fourth column, incrementing the figure to 4 for each.
AAA-1
EAE-2
AII-3
EIO-4
EAE-1
AEE-2
IAI-3
AEE-4
AII-1
IAI-4
EIO-1
Returning to the second and third columns, continue both down by replacing the non-A lines with Os.
AAA-1
EAE-2
AII-3
EIO-4
EAE-1
AEE-2
IAI-3
AEE-4
AII-1
AOO-2
OAO-3
IAI-4
EIO-1
Complete the list by adding EIO to any column that doesn’t already have it:
AAA-1
EAE-2
AII-3
EIO-4
EAE-1
AEE-2
IAI-3
AEE-4
AII-1
AOO-2
OAO-3
IAI-4
EIO-1
EIO-2
EIO-3
And there you have it! Once you have this technique down, you will have the 15 valid forms in the bag and never need to think about it again!
Welcome to the weekly guide on where to drink in Paris! Every Wednesday, I spotlight three bars including an old favorite worth revisiting, something new (bars, menus, etc.) and something […]
A curious thing has been happening lately: I cannot use the popular left-leaning social networking site Bluesky for any length of time without becoming irritable and even angry. Every common trope annoys me. Most notably, if someone nitpicks a headline in the New York Times — one of the favorite forms of political activism over there — I jump down their throats. I get into pointless, hostile, endless back-and-forth exchanges where we both dig in more and more. Often one leads to the other. For instance, this morning I blocked a longtime mutual (and fellow academic) after a terrible fight about whether the NYT has appropriately used the word “mused” in a headline.
Clearly I’m part of the problem here! I could simply attempt to curate my experience more — set up lists, follow “starter packs,” and do all the many fun things that other users do to get things “just so” — but every time I do, the bullshit keeps coming back. My biggest success was blocking a major user who is obsessed with NYT nitpicking, and for a few weeks it seemed like he had been the only culprit. But it always comes back, just like the constant exhortations to block without mercy or hesitation keep coming back, just like everything keeps coming back. And that probably happens because Bluesky is, at the end of the day, a very small and insular site, whose culture of boastful hair-trigger blocking contributes to major groupthink.
The beginning of my more sustained frustration came early last week, when the entire site was aghast at a Financial Timescolumn that said Bluesky was an echo chamber. I have been using a print subscription to the Financial Times as part of my efforts to wean myself off social media and have come to deeply respect it as a news source. Everyone was outraged at the FT’s “attack” on the site, and some journalists and editors even popped up on Bluesky to try to mediate the conflict. Multiple major accounts advocated blocking all the supposed “gaslighters” from what is, in all honesty, probably the best English-language news source on Earth.
I was aghast. I don’t much care for the columnist, nor did I think the column was a work of art. But everyone seemed to be mischaracterizing its point — which boiled down to “I get why liberals like Bluesky, but I miss the broader perspective Twitter had before Musk ruined it.” Again, not brilliant, but hardly a war crime. In fact, I’m pretty sure that most Bluesky users, deep in their hearts, would agree. And for “defending” the column (i.e., attempting to accurately summarize it), I was insulted and targetted for blocking. One person mused that I was trying to suck up to the columnist so I could hobknob with her wealthy friends. Another thought my response was par for the course for a “tank-adjacent contrarian.” The notion that I sincerely thought everyone was overreacting based on inaccurate information was not considered.
A big part of the problem is that we are all, of course, recovering from the trauma of late-stage Twitter. We are taking habits honed in an environment overrun by open Nazis and applying it to people whose politics are, at the end of the day, all within one standard deviation of each other. And that’s fine! There is definitely a place for people with similar politics to meet. That’s what I try to cultivate on Facebook especially, and I certainly didn’t seek out conservatives on the old Twitter. The problem is that no one is willing to admit that it’s an echo chamber. They want to imagine it’s an miscellaneous audience, that their critiques of NYT headlines can reach some reachable moderate, or that their exhortations that no one should blame North Carolina and Tennessee for the hurricane damage just because they’re red states could be heard by someone who may indeed be tempted to blame them. It’s like a “seeker-sensitive” church, always looking to convert outsiders who mostly aren’t interested and meanwhile providing nothing of substance to those who are showing up consistently.
I’ll admit that the old Twitter was often annoying in the same way. It did periodically bring out an unattractive combativeness in me. And sometimes it seemed like it could become actually life-threatening, as in my multiple waves of systematic right-wing harassment. But it had other rewards. There was much more genuine intellectual diversity among left-wing posters. There was much greater chance of stumbling across interesting links and articles or hearing about something cool. And it was funny — funny like nothing else. There was just something about the meme culture of Twitter at its prime, with its multiple layers of referentiality and irony, its nihilistic love of the absurd. Even in the late days of Twitter people were becoming more literal and less receptive to that kind of humor, but on Bluesky it’s entirely dead. The absurdist poster “dril” made a big show of switching to Bluesky and people took his nonsensical posts deadly seriously, sometimes even going so far as to report him for harmful content. I myself get a very literal response to almost every joke I post. It’s heartbreaking.
It’s as though everyone decided to take my article Jury Duty, where I said that the purpose of social media is primarily to pass judgment on each other, as an instruction manual for building out the new culture of Bluesky. The constant reminders that everyone is on a hair trigger to block every stranger exacerbate the effect, to the point where it feels like the first social network whose primary purpose is actually to cut off social contact.
When I ask myself why I let it get to me, it is probably because I am still grieving for what Twitter was. It didn’t always bring out the best in me, but it was rewarding on net, because it was so often surprising. That’s what’s so frustrating to me about the endless repetition of a handful of moves — it’s so predictable. I get angry at the NYT headline nitpickers because they’re boring, and because they’ve convinced themselves that it’s politically necessary for them to be boring. In reality, though, the recipients for the messages they insist on sending out so repetitiously are not here. I am. Or at least I was. I know I was annoying, I know I had my hangups, I know I often disagreed with the site consensus — but I am a human being, I am genuinely open to discussion, and I admit when I’m wrong much more often than anyone else I’ve ever seen online. All I wanted out of the site was some kind of halfway interesting discussions and links and jokes. I don’t think that was too much to ask.
Whether I will return again remains to be seen. As a long-time Twitter addict, I’m likely to relapse. I publicly pledged myself to take a week off, just to make it embarrassing to come back sooner. But what makes it less likely is the sense that no one will miss me. I pop into Twitter every week or so to check my replies and see if I have any DMs, and every so often I see someone saying that they miss me and wish they would return. By contrast, Bluesky has felt hostile and unwelcoming from the very start. I know that hurt people, hurt people. I’m guilty of that as well. I just wish we could all work through it and try to build something that can be more informative, more challenging, and more fun — and I’m increasingly convinced that will never happen.
Welcome to the weekly guide on where to drink in Paris! Every Wednesday, I spotlight three bars including an old favorite worth revisiting, something new (bars, menus, etc) and something […]
I’ve known Dave Arnold for the better part of the last 15 years. Even before we were officially colleagues—I was the bar director for Momofuku while he was helming Booker and Dax, a high-concept cocktail bar nestled behind Momofuku Ssam Bar—we always shared an affinity for waxing nerdily about cocktails: where to find naturally carbonated spring water in upstate New York or how to properly store shaking ice. After all this time, it never gets old.
“OK.” Dave takes a barely perceptible pause before launching into the backstory of the Sagittarius B2, one of his cocktails at New York’s Bar Contra. “So there is a gas cloud in the center of the Milky Way galaxy [called Sagittarius B2] and in that gas cloud was discovered—via radio telescopic techniques—complex molecules with aroma. One of them is ethyl formate, one of the main aroma compounds in both raspberries and rum.” Without pausing for a breath, he continues: “Right away I was like, ‘Dang, Sagittarius B2, we’ve got a raspberries and rum drink coming up.’ And then it gets even better because it’s also got a form of cyanide. While that seems like a negative, for me, I was like, ‘Oh, that’s a huge positive, because bitter almonds are cyanide-adjacent.’”
Although it can be a bit reductive, I tend to describe novel cocktails in terms of their genealogical lineage to earlier, more classic cocktails. In this framework, the Sagittarius B2—a mix of rum, raspberry and orgeat (a syrup made from almonds)—might best be understood as the cosmic love child of a strawberry Daiquiri and a Mai Tai.
For the base spirit, Dave initially wanted to use clairin, a sugarcane distillate native to Haiti, but its intrinsic grassiness was a bit too overpowering. Instead, he went with the more subdued Chairman’s Reserve rum from St. Lucia. Dialing in the other ingredients, in typical Dave Arnold fashion, was much less straightforward. “First I made it with regular orgeat and lime-acid raspberry,” he says, referring to clarified raspberry juice that’s been acid-adjusted with citric, malic and succinic acids to mirror the acidity of lime. “And I was like, nah, not raspberry enough.”
To make the raspberry flavor pop even more, he decided to augment the orgeat with, well, more raspberries, this time in the form of jam. The orgeat begins like any other, by soaking almonds overnight. But fine-tuning the recipe necessitated sourcing almonds from an unlikely source: Trader Joe’s. Apparently the Bazzini brand, which is commonly used in commercial kitchens, just didn’t provide the right flavor for this specific application. Then Dave strained the almonds and combined them with the aforementioned raspberry jam and hot water, before passing the mixture through a 150-micron cloth via a five-ton hydraulic press.
Finally, he augmented the syrup with salt, almond extract, gum arabic, xanthan gum (to keep the mixture in suspension) and Methocel F50, a food-grade thickening and binding agent (for proper foam generation).
Making traditional DIY orgeat is not for the faint of heart in the first place, and adding raspberries to the mix only magnified the challenge of straining the nut solids from the usable liquid. “It’s a huge pain in the ass,” Dave says. To understand that this statement is not remotely hyperbolic, consider this: On a recent Saturday evening, I encountered Dave casually posted up at the bar holding a handwritten matrix of Margarita recipes made with four different orange liqueurs, each with varying Brix levels, determined by a modified least squares regression algorithm. When a person who does this for fun says something is a huge pain in the ass, believe them.
After the ingredients have been dialed in, there’s the matter of actually making the Sagittarius B2 when a guest orders it. Theo Ouya, Bar Contra’s bar manager, found the orgeat too thick to measure out in a jigger, noting that it would slow down service to unacceptable levels. The team attempted to solve this by combining the lime-acid raspberry and the raspberry orgeat into a single cheater bottle, but the drink’s texture wasn’t coming out as optimally as when the two ingredients were mixed à la minute. The solution came in the form of a kitchen scale.
In my experience, a kitchen scale has rarely been the solution for efficiency. It’s typically slower than jiggering and measuring is irreversible—if you accidentally overshoot your mark on any ingredient, you have to toss the drink and start over. “It’s a horrible idea, most of the time,” agrees Dave. But this application proves the value: Jiggering involves two pours, one from the bottle to the jigger and another from the jigger to the shaker. Using a scale halves the number of pours, and in the case of pouring a thick, goopy substance, that can yield significant time savings.
If ever there were a drink that exemplifies the Dave Arnold approach to cocktails—balancing ambition and creativity against physical constraints, and calling on an elaborate tool kit to bring those constraints to heel—Sagittarius B2 is it. As Dave summarizes: “So yeah, it’s all the things.”
Die beste Eierspeis, das beste Schnitzel, das alles mit beinahe-wissenschaftlichen Tricks: Der Koch aus Seattle kocht außergewöhnlich genau – und lässt uns daran teilhaben
J. Kenji López-Alt arbeitet und kocht auf einem Hausboot in Seattle – immer mit Blick auf die ikonische Space Needle.
"Kenji says ..." hat sich in weiten Teilen des kulinarikbegeisterten Internets in den letzten Jahren zu einer Art Gütesiegel entwickelt. Rezepte, Küchentipps und Restaurantempfehlungen in Zusammenhang mit diesem Vornamen haben Autorität. Doch wer ist dieser Kenji?
Nach "The Food Lab" ist López-Alts zweites Werk "Wok" auf Deutsch erschienen. Tricks und 200 Rezepte rund um den runden Kochtopf: Wok von J. Kenji López-Alt. Erschienen im Christian-Verlag. € 78,50, 656 S.
Sein Weg vom Redakteur eines Kochmagazins zum Foodblogger, Kochbuchautor, Youtuber und zuletzt Podcaster (The Recipe with Kenji and Deb) spiegelt die Veränderungen der Medienbranche wider. "Ich wollte immer möglichst viel Freiheit haben, keinen Chef, und mache das, was mich gerade interessiert. Glücklicherweise war ich bisher immer zur richtigen Zeit am richtigen Ort." Wie sein Job in fünf Jahren – oder am nächsten Tag – aussehen werde, wisse er nicht. Aber jetzt ist erst einmal die Mittagspause und damit das Interview vorüber. Kenji muss zurück zum Sommercamp seiner Tochter, zum gemeinsamen Violinspielen. (Jana Wiese, 19.9.2024)
Er will sich anders positionieren als viele Starköche, die stark auf männliche Klischees bauen: "Ich habe in ziemlich toxischen Küchen gearbeitet, und ich glaube, das hatte stark mit überholten Vorstellungen von Männlichkeit und Autorität zu tun. Ich versuche, Werte zu repräsentieren, die manche dieser Probleme mildern." Sich weiterzuentwickeln und in allen Bereichen Neues zu lernen ist sein erklärtes Ziel und auch die wichtigste Botschaft an seine Fans.
Entwickelt euch weiter
"Meine Rezepte, Texte und Videos zeigen, wer ich bin. Nicht alles, aber einen Teil davon", betont Kenji López -Alt. Dazu gehören Fotos von Lunchboxen für den Kindergarten genauso wie ausführliche Wok-Erklärvideos zu seinem neuesten Kochbuch, Empfehlungen für Fastfood oder teure Restaurants und häufig auch bunt lackierte Fingernägel. "Da gibt es dann Kommentare, die mich als tollen Vater loben, weil ich meiner Tochter erlaube, meine Nägel zu lackieren. Netter Gedanke, aber nein, ich habe die Maniküre professionell machen lassen, einfach weil ich es mag!", lacht der Youtube-Star und fügt an, dass er später am Nachmittag noch einen Termin im Nagelstudio habe.
Sein Publikum habe sich über die Jahre verändert. Es sei weiterhin eher nerdig und auch mit ihm gemeinsam gealtert – weniger alleinstehende junge Leute mit viel Zeit für Kochexperimente, mehr Familien mit kleinen Kindern und Bedarf nach praktischer Alltagsküche. "Ich würde heute nicht mehr so schreiben wie 2015 in The Food Lab und koche meistens auch ganz anders", sagt Kenji López-Alt. Viele seiner Videos entstehen mit möglichst geringem Produktionsaufwand im Alltag: In Kenji’s Cooking Show auf Youtube filmt er mit einer Go-Pro-Kamera auf dem Kopf, wie er zum Beispiel Wassermelonen-Feta-Salat für seine Kinder zubereitet, die im Hintergrund ungeduldig nach einem Snack quengeln.
Heute kocht er anders
"Manchmal setzen Leute etwas, das ich geschrieben habe, online gegen andere ein, im Sinne von 'Die machen es anders als Kenji, die können nicht kochen'. Das finde ich wirklich widerlich", sagt der Kochbuchautor. Die Kommentare unter seinen Videos und Instagram-Posts moderiert er deshalb streng. Er vergleicht sie mit einer Party daheim: "Ich bin der Gastgeber, und du bist der Gast, und das heißt, du musst dich an die Hausregeln halten. Du kannst andere Leute nicht beschimpfen oder gemein sein."
Macht, was ihn gerade interessiert: Kenji López-Alt ist Foodblogger, Kochbuchautor, Youtuber und Podcaster.
Dass seine Rezepte auf Punkt und Komma befolgt werden, als wären sie Gesetz, ist ihm allerdings nicht recht. Viele davon tragen zwar Superlative im Titel – "The Best Chili Ever", "The Ultimate Vegan Nachos" –, das sei aber vor allem der Suchmaschinenlogik geschuldet. "Man kann sich natürlich uneins sein über 'das Beste', und du kannst selbstverständlich dein eigenes 'Bestes' finden – das ist immer kontextabhängig", betont Kenji López-Alt. Diesem Gedanken folgend hat er 2020 sein erstes Kinderbuch geschrieben. Every Night Is Pizza Night handelt von einem kleinen Mädchen, das Pizza für das beste Essen auf der Welt hält und sich weigert, irgendetwas anderes zu essen.
Seine Regeln
Was macht ein gutes Rezept in Kenji López-Alts Augen aus? "Ein gutes Rezept muss von jemandem geschrieben sein, der es ordentlich getestet hat. Und es muss funktionieren! Die besten Rezepte sind so geschrieben, dass sie einem zeigen, wo man abweichen oder experimentieren kann. Sie helfen einem zu verstehen, warum man etwas auf eine bestimmte Art macht." Ein Beispiel: Schnitzel bestreicht er nach dem Klopfen mit Wodka, bevor er es in Mehl, Ei und Bröseln wendet und in Schmalz herausbäckt. Durch den schnell verdampfenden Alkohol bläst sich die Panade schön auf, und das Fleisch innen wird saftig und zart. "Viele der Techniken, die ich nutze, sind nicht 'traditionell'. Denn ich will Probleme lösen, die beim Kochen daheim auftauchen. Eine Restaurantküche bäckt Schnitzel in einer großen Pfanne mit Butterschmalz, da ist viel Platz, damit die Panade richtig gut wird. Zu Hause kann man sich mit dem Alkoholtrick behelfen."
Während seines gesamten Studiums hat der heute 44-Jährige in Restaurantküchen gearbeitet, seinen ersten Medienjob landete er Anfang der 2000er-Jahre bei Cooks Illustrated. Die Rezepte, die er für das Kochmagazin entwickelte, wurden von hunderten Abonnentinnen und Abonnenten vorab ausprobiert, bevor sie abgedruckt wurden. "Aus den Rückmeldungen habe ich viel darüber gelernt, welche Fehler Hobbyköche machen und welche Fallstricke es beim Rezeptschreiben gibt."
Bekannt wurde López-Alt durch seine Kolumne The Food Lab beim 2006 in New York gegründeten Foodblog Serious Eats, in der er Rezepte in quasinaturwissenschaftlichen Testreihen erprobte: Welchen Unterschied macht es, Fleisch vor oder nach dem Braten zu salzen? Was ist die perfekte Kochdauer für ein Frühstücksei? Wie viel Kochwasser braucht Pasta wirklich? Aus der Kolumne entstand ein gleichnamiges Kochbuch, das über 900 Seiten hat und ein weltweiter Erfolg wurde. Sein systematischer Zugang zum Kochen gehe teilweise auf sein Studium an der Eliteuniversität MIT in seiner Heimatstadt Boston zurück: "Man lernt dort, wie man auf wissenschaftliche Art über Probleme nachdenkt, eine sehr nützliche Fähigkeit! Aber ehrlich gesagt glaube ich, dass mir der Abschluss vor allem Glaubwürdigkeit und Ansehen verleiht."
Kochtechniken für zu Hause
Aber dann ein Anruf, ein Gespräch sollte kurzfristig klappen. Er habe eine Stunde Zeit, während der Mittagspause des Musik-Sommercamps seiner Tochter, ich möge doch einfach zu seinem Studio kommen. Sein Studio, das ist ein kleines grünes Hausboot auf dem Lake Union, mitten in Seattle, auf dem er Kochvideos für seinen Youtube-Kanal dreht. Gerade sei es aber unordentlich, "wegen der Kinder" – Alicia (7) und Koji (3) haben noch Ferien –, wir setzen uns deshalb auf die sonnige Dachterrasse. Die fungiert gleichzeitig als Outdoor-Küche: ein Wok mit Gasbrenner, zwei Pizzaöfen und drei verschiedene Griller sind vor dem Panorama der Space Needle, des Wahrzeichens der Stadt, versammelt. Vater und Tochter teilen sich nach einem Vormittag gemeinsamen Violinespielens erst einmal ein Thunfischsandwich von einem nahegelegenen Deli, auf dem See starten derweil dutzende Wasserflugzeuge.
James Kenji López-Alt, wie er mit vollem Namen heißt, ist trotz seiner Online-Omnipräsenz schwierig zu erreichen. Das zeigt sich an den wochenlang unbeantworteten E-Mails seines Verlegers, das bestätigen die Food-Journalistinnen seines Wohnorts Seattle, und auch er selbst sagt: "Ich arbeite eben, wenn ich Lust darauf habe."
Welcome to the weekly guide on where to drink in Paris. Every Wednesday, I spotlight three bars including an old favorite worth revisiting, something new (bars, menus, etc) and something […]
Sweet and spicy with a sour tinge, sriracha sauce was an instant hit when David Tran, a Vietnamese refugee, brought it to America in the 1980s under the brand Huy Fong Foods. Asian eateries were the first to snap up Mr Tran’s hot sauce, but before long the green-nozzled bottle, with its distinctive rooster logo, had become a staple in restaurants and pantries alike. Within just a few years Mr Tran went from hawking his wares out of a Chevy van in Los Angeles to walking the floor of a 20,000-square-metre factory. By 2020 his business was worth $1bn.
The Devil in Miss Jones (1973) is one of the classics of the ‘Golden Age’ of porn films. It was written, directed and produced by Gerard Damiano one year after the success of Deep Throat. The film takes inspiration both from Sartre’s No Exit – a play length exposition of the existentialist’s famous claim that ‘hell is other people’ – and from the Marquis de Sade’s Justine – whose titular character embodies the ideal feminine virtues of the 18th century, and is repeatedly punished for it; her innocence, piety, and honesty rewarded by a series of violations, as well as the torture, death, or betrayal of everyone she trusts (its sequel, Juliette, tells the story of Justine’s sister, who rejects both God and virtue, embraces corruption, and thrives).
The Devil in Miss Parton was released towards the end of a quiet period for angel film. After a glut of releases over the 1930s, 40s and 50s, barely anything was released between 1956 and 1968, when the genre gets going again with a series of films which deliberately play with its well-established cliches. If you’re familiar with angel films as a genre, it’s clear that The Devil in Miss Jones is written as a knowing parody of the standard tropes. The film’s protagonist Justine – having lived a perfectly virtuous life – dies by suicide, only to awaken into an afterlife where heaven is forbidden to her, yet she has not sinned enough to truly merit hell. The only solution, she is told by the angel Abaca assigned to judge her, is to go back to earth and earn her eternal damnation. She doesn’t seem enthused about the opportunity for theft, robbery or murder. What about lust, she asks?
Most of the rest of the film plays out as a series of explicit sex scenes, beginning with Justine’s encounter with ‘the teacher’ whose role is to cure her of her inhibitions, so as (he says) to make his work easier and hers more pleasurable. In each of the scenes – involving various other people, animals, and objects – the focus is on Justine. Both her pleasure and her voice are centred. At the end, she returns to Abaca, asks to be allowed to stay, only to be told that no such thing is possible, and to find herself, in the end, trapped in a small white room with a man (played by Damiano) raving about flies as she begs him to touch her.
Many of these narrative moves are easily recognisable from earlier angel films: a person awaking after death to find themselves with a lowly functionary responsible for overseeing their time in the space in between death and final judgement (Outward Bound (1930), Heaven Can Wait (1943), Here Comes Mr Jordan (1941); wishing to make up for the opportunities they had missed in life and hoping to do enough to be granted passage through judgment into everlasting life (Liliom (1934), remade as Carousel (1956), Angel on my Shoulder (1946); being tempted by the charms of the world they have temporarily been sent back to (The Bishop’s Wife (1947), The Horn Blows at Midnight (1945)). What’s striking about The Devil in Miss Jones is that it brings together these familiar tropes into a new format which seems, in turn, to become the template for two later angel films: 1990’s Almost an Angel, starring Paul Hogan/Crocodile Dundee and 1996’s Unlikely Angel, starring Dolly Parton. Both films share with The Devil in Miss Jones a very precise formula, here inverted: a protagonist whose entire life except for the manner of their death would seem to destine them for one of heaven and hell, and an opportunity to return to earth so as to make good on the promise of that very final moment, a moment of realisation about the kind of life they missed out on whilst alive, and then a final glimpse of their passage into their eternal destiny.
In Almost an Angel, Paul Hogan’s Terry Dean is a career criminal whose first move on getting out of prison is to try to rob another bank. As he does so, however, he spots a small girl about to be hit by a car and dies whilst saving her, only to find himself in a meeting with God (Charlton Heston), who describes himself as Dean’s probation officer, and tells him that while his entire life he never did anything but take, his final act of selflessness means that he’s earned a chance at heaven by dedicating his life to others; by giving instead of taking. While it takes him some time to unlearn his bad old habits, he manages to perform a series of selfless acts: befriending a terminally ill man named Steve and helping out the youth centre he runs with his sister Rose by clearing out some local drug dealers, convincing a tight-fisted evangelical that God is calling him to greater acts of charity, and comforting Steve as he dies. Whilst his attraction to Rose makes him regret the fact he cannot stay on earth, the film ends with a cross miraculously lighting up, Terry discovering that he cannot die, and a voiceover assuring Rose that Steve is with God now.
The sins of Dolly Parton’s Ruby Diamond are never quite as clear, but seem to be related to singing in bars, flirting with men, dating men who cheat on her, and never settling down to get married or have children. Driving home from a gig one night, she swerves to avoid hitting a death, and dies, only to find herself in a meeting with a man in a white suit who introduces himself as Peter and tells her that she’s lived an entirely selfish life, and that it’s only because at the very end she sacrificed herself for another living then that she will get a chance to make up for it. She’s then sent back to earth where she has to reconcile a family in the wake of their mother’s death by helping the father to recognise that his children need him and need a proper Christmas, helping the children to forgive their father, and pushing the father to marry his secretary, all while resisting her own desire to stay and take her place in the family home. As the film ends we see Dolly walking through the pearly gates, receiving her wings, and joining in the angelic chorus singing praise to God.
It’s interesting how precisely Almost an Angel and Unlikely Angel invert the plot of of The Devil in Miss Jones, itself a much looser parody of the angel film genre. While I can’t find any existing scholarship which connects the three the parallels are so precise – and The Devil in Miss Jones such a classic – that I’m convinced it must be a relatively direct influence on the two later films. The Devil in Miss Jones relates to Almost an Angel and Unlikely Angel like Justine to its sequel Juliette, mirrored narratives of virtue and vice, reward and punishment whose precise inversions reflect, however, a much more conventional moral universe than that of de Sade. It’s Unlikely Angel which more perfectly parallels The Devil in Miss Jones. Whereas Terry Dean ends by walking off out into the world, the promise of both further earthly adventures and of possible romantic consummation hanging in the air, both Justine and Ruby return in the end to their previous condition, albeit transformed by the lessons they have learned during their brief return to earth. Justine is only now able to fully appreciate the horror of the lonely, untouched life she already hated enough to want to kill herself; Ruby only now unable to sing in praise of God and in service of the middle class nuclear family rather than the dive bar circuit which she came from. Both films ultimately offer us a vision of the pleasures of sexual liberation once more safely enfolded into a narrative which sets desire against the care and self-sacrifice by which the white family is made and remade, in which sex can be recuperated as long as we do not acknowledge, as de Sade did, the pleasures of power, pain, and violence.
Welcome to my weekly guide on where to drink in Paris! Every Wednesday, I’ll spotlight three ideas on where to drink in Paris this week. The trio will include an […]