Six years ago, “Ted Lasso” reminded us that many winning TV shows are the result of the right sentiment landing at the right time — or, in this case, a terrible time. In 2020, the weight of pandemic lockdowns and an especially rancorous presidential election made life feel mean.

Enter Ted Lasso, Jason Sudeikis’ folksy Missourian loaded with cornpone wisdom, positivity and kindness. Against all good sense, Ted, an American football coach, moves to England to coach the AFC Richmond Greyhounds, a men’s soccer team, despite knowing nothing about the sport.

That suited Greyhounds owner Rebecca Welton (Hannah Waddingham) since she intended Ted, his assistant coach, Willis Beard (Brendan Hunt), and her team’s players to fail. Instead, Ted’s emphasis on personal growth and camaraderie rebuilds the Greyhounds from their league’s demoralized joke into its comeback kings, powered by their yearning to Believe.

In 2020, “Ted Lasso” made us feel like that motto, “Believe,” was all we needed.  In 2026, introducing a women’s football team changes that pitch. The fourth season sees Ted, Rebecca, AFC Richmond’s PR specialist Keeley Jones (Juno Temple) and the organization’s Director of Football Operations Leslie Higgins (Jeremy Swift) attempting to transfer their proven winning methods over to the women’s team and are blocked by the sexism baked into professional sports at every step.

Data-backed analyses predict the Lady Greyhounds’ doom before they’ve even begun to race. Keeping the sponsors’ faith is challenging for Rebecca, who reminds one that a company that backs military actions shouldn’t hesitate to support a women’s football club.

“Wars are profitable,” her skeptic replies coldly. Women’s sports, not so much. So instead, Rebecca rewrites the call to “Believe” into a prayer for a chance.

“That’s what sport is. That’s what life is, isn’t it? A series of chances,” she says.  “We took a chance, creating this team. Yes, for little girls to see amazing, athletic women doing incredible things on the pitch. But equally important, so that little boys . . . can grow up in a world where they don’t know any different. And to do that, we need to be given a chance. By you.”

 

 

To me, speeches like this have a dual purpose: Rebecca is obviously speaking to a specific character, but Waddingham’s passionate delivery makes an effective case to viewers. Even in the wide world of sports movies and shows, men and women are treated differently. For the reasons Rebecca spells out, they shouldn’t be.

As a recent story on Togethxr.com delineates, the heyday of movies about women in sports ended by the close of the aughts – pretty much spanning the time between the first film in the “Bring It On” franchise in 2000 and the fifth in 2009.

On TV, actors Rob Mac and Ryan Reynolds’ excursion into the wild world of British Premier football, “Welcome to Wrexham,” recently expanded to include a women’s team, the Red Dragons. In the 2023-24 season, with their star owners’ backing, the Dragons became the first Welsh women’s club to operate on a semi-professional basis.

And Netflix recently greenlighted “The 99’ers,” a biographical drama about the U.S. Women’s National Team’s victory over China at the 1999 FIFA Women’s World Cup.

Meanwhile, there is no shortage of films and shows about male sports icons and legendary men’s team. Recently, a new season of “Hard Knocks” premiered, HBO’s behind-the-scenes journey through one American pro football team’s pre-season training camp. This run of episodes features the Seattle Seahawks—my home team—which I find less compelling than the prospect of seeing where the Lady Greyhounds end up.

I assure you this is less about sisterly solidarity or my lingering affection for “Ted Lasso” or even a love of soccer – er, football. Sports and I are largely incompatible, sorry to say. I am, however, the kind of curious and not judgmental person who wants to see what has and hasn’t changed about these stories since “Bend It Like Beckham” became a sensation in 2002. That movie’s heroines Jess (Parminder Nagra) and Jules (Keira Knightley) saw the opportunity to play at the university level in America as the ultimate dream. America, they thought, took women’s football seriously.

 

The diminishment of Title IX protections tells another story. Disparities in pay and resources are still a battle in both women’s professional sports and at the collegiate and Olympic levels, as publicized advocacy by athletes such as Megan Rapinoe has revealed.

More recently, the Trump administration’s snubbing of the gold-medal-winning women’s hockey squad at the 2026 Winter Olympics in Milan broadcast a shameful message about the common disregard for female athletes and their achievements.

And in Britain, Ted’s adopted stomping grounds, the BBC recently published a collection of anecdotes from women in football, whether they be professionals or fans, describing a strain of misogyny so brutish that one woman stopped taking her daughter to live men’s matches. “I wouldn’t feel safe and I certainly wouldn’t want to expose my daughter to sexism,” she told the BBC.

The fourth season of “Ted Lasso” doesn’t entirely frost those bad vibes with its happiness and hopium. The Lady Greyhounds confront doubts about their talent in pubs, from the stands and in the media.

This being “Ted Lasso,” every determined push downfield strides on a turf green with optimism. That starts in the fourth season’s kickoff, when Rebecca, Keeley and Higgins journey to Kansas City to re-recruit Ted.

---

Want more from culture than just the latest trend? The Swell highlights art made to last.
Sign up here

---

One of my favorite moments in their adventure shows Higgins finding his way to the Negro Leagues Baseball Museum. He enters reluctantly, since he knows nothing about baseball, and leaves fired up by the heroism of men like Satchel Paige and Jackie Robinson.

“You know, their story is quite similar to how women in England weren’t allowed to play football for years,” observed Higgins, netting a doubtful reaction from the museum’s forbearing docent. This sends the oh-so-polite Higgins into a stammering fit: “Not similar. Sorry. What happened here was much worse. Much, much worse. Much, much, much, much, much, I can’t stop saying much for some reason.”

But when Higgins explains that women weren’t allowed in England’s professional leagues until 1971, even the museum guide couldn’t help blurting, “Damn – that’s recent as hell.”

Yes. It’s still new enough for us to understand that getting the Lady Greyhounds to believe in themselves was always going to be the easy part. Getting a nation and a world to believe in the women of AFC Richmond and female athletes in general? That’s always been the whole game.

New episodes of “Ted Lasso” stream Wednesdays on Apple TV.

 

 

The post What the Ted Lasso Way doesn’t get about women in sports appeared first on Salon.com.

Those anticipating HBO’s series adaptation of “Watchmen,” the classic comic book series co-created by Alan Moore and Dave Gibbons, may have divided opinions of the 2019 version conceived by Damon Lindelof, co-creator of “Lost” and “The Leftovers.”

The first episode, the only part of the nine-episode season HBO made available to critics,  introduces the story’s ostensible protagonists: Tulsa’s Police Force. And the enemy? It’s a white supremacist organization whose members wear masks inspired by the iconic “Watchmen” character Rorschach.

“What, in 2019, is the equivalent of the nuclear standoff between the Russians and the United States?” Lindelof posited Wednesday during a press conference, referring to one of the key political flashpoints examined in the original comic. He answered, “It just felt like it was undeniably race and policing in America.”

Until now HBO has kept the details of “Watchmen” cloaked in mystery, teasing audiences with disconnected snippets. Reporters assembled for HBO’s press conferences at the Television Critics Association’s summer press tour screened a preview of the first episode on the condition that we refrain from posting reviews until the drama’s scheduled premiere in October.

You won’t find smartphones or references to social media in the story, either — a thoughtful detail from Lindelof, the man who quit Twitter after he’d weathered enough vitriol over the “Lost” finale.  Also absent, at least initially, are direct descendants of The Comedian, Nite Owl or other familiar heroes from the original’s 12-issue arc. Jeremy Irons has apparently taken on the mantle of Ozymandias, although HBO’s press notes only describe him as “the aging and imperious Lord of a British Manor.”

We can, however, describe Oscar winner Regina King’s role. She plays Angela Abar, a devoted wife, mother of three and bakery owner who ostensibly has retired from the Tulsa Police Force. But in this new world, cops hide their faces for their own protection (with the beat cops outfitted in colors associated with Silk Spectre) making Angela’s job as a lead detective a secret identity.

This aligns with the alternate history of Moore’s original “Watchmen” comics, released between 1986 and 1987, in which people with superhuman abilities emerged between World War II and the 1960s, changing the trajectory of history and granting the United States the upper hand during the Cold War.

Vigilantes and unaffiliated heroes are outlawed, and a few superheroes that haven’t retired go to work for the government. In Moore’s reality, America wins the Vietnam War, and Richard Nixon was never forced out of office. Term limits are abolished, in fact, allowing Nixon’s presidency to last well into the 1980s.

In presenting white supremacy as the main antagonist of these new chapters, Lindelof told the industry reporters assembled for HBO’s presentations at the Television Critics Association’s summer press tour, currently underway in Los Angeles, that he’s selected a crisis to which there is no simple answer or grandiose solution.

“In a traditional superhero movie the bad guys are fighting aliens. And when they beat the aliens, the aliens go back to their planet and everybody wins,” Lindelof said. “There’s no defeating white supremacy. It’s not going anywhere. But it felt like it was pretty formidable foe.”

The Watchmen are an inversion of Golden and Silver Age archetypes, revised to fit a dystopian extreme of what Moore and Gibbons imagined America could become with but a few minor tweaks to the timeline. It’s an incisive vision of unchecked imperialism that questions our culture’s reverence of might.

Lindelof stressed that the new “Watchmen” will not alter the original series in any way: “We explore the past…but it’s canon,” he said. “Everything that happened in those 12 issues could not be messed with.”

Instead, he contemplated how the history kicked off in those comics might have progressed from where the story leaves off. Lindelof explained that he was inspired by Ta-Nehisi Coates’ story in The Atlantic, “The Case for Reparations,” which lead him to read about Black Wall Street and the massacre of black families by white racist mobs in Tulsa, Oklahoma in 1921.

As a result, he connected Moore and Gibbons’ “Watchmen” past to his version of that world’s present. He explained to critics  that Nixon remained president through the late ‘80s and died in office. Then Gerald Ford assumed the presidency, only to be defeated in ’92 by Robert Redford, who remains in office in alt-2019.

“One of the things that we’re interested in exploring is what would happen if a very well-intentioned white man, a liberal white man, was president for way too long?” Lindelof said, referring to the fictional Redford presidency.

As Lindelof explained to critics, racism isn’t presented as a simplistic evil in “’Watchmen” but rather as a strain of white supremacy born out of a white liberal version of good intentions. Later in a conversation with a small group of reporters, Lindelof put a finer point on it.

“Watchmen” isn’t merely interested in flaming racists, he said.  “This show is trolling the white savior.”

For these reasons and others, it probably goes without saying that a segment of viewers will be predisposed against embracing his vision.  Foremost among them would be Moore, but that’s to be expected. Moore has a reputation for being against any adaptations of his work, and not even Lindelof’s reverence for the source material enables him to win an exception.

“I have made personal overtures to connect with [Moore] and explain to him a little bit of what we were doing, and he made it clear that he didn’t want that to happen. And I want to respect that as well,” Lindelof said.  “… So, the wrestling match will continue.”

Lindelof added that he admires Moore’s “punk rock spirit,” saying that he imagines that “if you told Alan Moore in 1984 or ’85 or ’86, ‘You’re not allowed to do this because Superman’s creator or Swamp Thing’s creator doesn’t want you to do it,’ he would say, ‘F**k you, I’m doing it anyway.’”

He added in conclusion, “And so I’m channeling the spirit of Alan Moore to tell Alan Moore, ‘F**k you, I’m doing it anyway.’”

The post HBO’s “Watchmen” takes on white supremacy — Damon Lindelof promises to “troll the white savior” appeared first on Salon.com.

Donald Trump showed up at a Las Vegas rally on Wednesday night singing the same out-of-tune song he has belched out ever since he got his revenge over the Democrats in 2024 and clawed his way back into the White House. During that time, he has waged illegal wars, killed innocent people and committed war crimes against enemies real and imagined. 

Since his return Trump has consistently alienated and enraged U.S. allies while going out of his way to coddle and occasionally enrage nations more often viewed as enemies. Except for Iran, of course, which he alternately bombs, demonizes and flatters. He invaded Venezuela to serve  a warrant. He has ordered missile attacks on boats at sea without cause, evidence or due process. Hey, the crews have to stay sharp, right? 

Here at home, Trump has destroyed the East Wing, the South Lawn, the Kennedy Center and the Rose Garden, while crowding the city with young National Guard troops who have little or no desire to be there. Trump doesn’t care. Those men and women in uniform are just props used to exercise control so he can crow about how safe the city is. If he decides to call for martial law, he’ll conveniently already have boots on the ground in D.C. 

While preparing for the country’s planned celebration of its 250th birthday, Trump decided to do a little housecleaning and update the Lincoln Memorial Reflecting Pool, vowing  to make it better than ever. As usual with this guy, we got a lot less than he promised, though he continues to tell us how “big and beautiful” the pool is — or rather was, until “vandals” destroyed it. 

He issued a no-bid contract to a company that botched the renovation, according to staunch Trump loyalist Jeanine Pirro, the U.S. attorney for Washington, D.C. That revelation came out only after former Olympic canoeist Jeff Hearn got hit with a felony charge, apparently for picking up a piece of the pool’s peeling paint from the renovation. 

Immediately after his arrest, Pirro and Trump claimed they had definitive proof Hearn had caused more than $1,000 in damage. He was then indicted. Only after that did Pirro bother to review the evidence and conclude the renovation was at fault.

Wake up, kids: I’ve seen this behavior before.

When I was just a little boy, standing to my daddy’s knee, my pop took me to visit my Aunt Bill and Uncle Beverly on their farm outside Bardstown, Kentucky.

Yes, Aunt Bill and Uncle Beverly. I thought they’d gotten named backward when I first met them. They were great people and it was a great place to live. Their farmhouse was already old when I first saw it in 1966, complete with a chicken coop out back.

It also featured what we’d now call a “vintage” kitchen, featuring antique appliances. The end of the Great Depression was just 25 years in our rearview mirror, but the stains were still easily seen throughout rural Kentucky. 

A few minutes after I met Aunt Bill for the first time, she said something that struck me funny. I may have heard this expression before, but to this day, I hear Aunt Bill’s voice in my head saying, “Honey, quit running around like a chicken with its head cut off.” I heard that as I fled a pursuing bumblebee, with an emphasis on “quit” that sounded like a meat cleaver going through a chicken’s neck. 

I laughed trying to visualize what she said. The only thing I could think of was a Bugs Bunny cartoon. My parents assured me that Aunt Bill’s description was every bit as accurate as she was colorful. I refused to believe them, and must have been strident enough that my aunt asked my mom if she’d allow me to witness her prepare the chicken casserole she planned to serve that night. I was a bit suspicious of the use of the word “witness” instead of the more familiar “watch.”

What was this all about? I soon found out. My aunt took me out to the chicken coop and demonstrated, with a large cleaver, not only the origination of the saying but how one “prepared” an appropriately sized hen for the family dinner.

What I felt in that moment is exactly how I feel about American politics in 2026.You could make the argument that most of what passes for culture on this planet resembles a headless chicken spewing blood everywhere as it stumbles around aimlessly for a few minutes before falling over dead and becoming food for something else.

On the surface, things seem deceptively quiet, even normal, if you ignore the mass shootings, the war, the cyclosporiasis, the Trump “sports curse” and the hole that used to be the East Wing. Congress still meets. The president does whatever the hell he does. The Supreme Court hears cases. Wall Street keeps moving upward. Large media companies produce endless amounts of entertainment and news.

But look below the surface and you see a Supreme Court bought and sold to a cause that isn’t the Constitution. You see unending greed. Congress is paralyzed, brain-dead and greedy, a political zombie. 

Just consider Robert F. Kennedy Jr. And his brain worm. 

The HHS secretary recently and proudly told a reporter he had no gag reflex. While that may explain his affiliation with Trump, Kennedy also said he could literally pick up anything dead along the side of the road and eat it. 

Once again, I have to circle around to the movie “Idiocracy.” I have previously compared Trump’s administration to the fictional world of that movie, while noting that it wasn’t supposed to be a documentary. In fact, I’ve made a huge error. The world “Idiocracy” is much less stupid than our reality. Remember that this president suggested treating COVID by injecting bleach. His two terms as president will likely serve as textbook examples of extreme government corruption. His name is destined to become a rude punchline or be completely forgotten. Either will do.

If there are still ratings to be gained from reporting on his nonsense, the corporate media will continuously keep doing that until a more profitable scandal comes along. 

Still, I must insist that the existential angst of the United States is much larger than Donald Trump, though we apparently love hearing about him. So does he, I assure you. Cheer him, mock him or despise him; he’ll be here all week, so try the veal. He thrives on the attention. 

Unless the Democrats win decisive control of both the House and the Senate this fall, or miraculously find a boatload of Trump supporters to vote for impeachment and convict him — and both seem unlikely — Trump will be president until he dies or his term ends. In  both cases, we can’t be sure he won’t stick around. If Mitch McConnell can disappear for weeks and still hold office, there’s nothing keeping Trump from doing the same. 

---

Want more sharp takes on politics? Sign up for our free newsletter, Standing Room Only by Amanda Marcotte, also a weekly show on YouTube or wherever you get your podcasts.

---

Are we Rome after the empire has fallen? Would we even know it if we were? Many Romans didn’t know that at first. Will it take years to recognize our current situation for what it really is?

We have a president who does commercial breaks in his own public speeches for corporations that make him money. He loves insider trading, and engages in it based on decisions he makes as president. He should really be wearing a NASCAR jumpsuit with  his corporate sponsors displayed on his back and sleeves. Make it brilliant white, with gold piping and epaulets, and I guarantee he’d wear it.

There are no principles in this administration beyond the principle of making money. There are no values that can’t be counted in dollars. If you don’t like it, you get to meet the muscle. At least until we run out of bullets, or Pete Hegseth quits staring at himself longingly in his full-length mirror.

Just as the Reflecting Pool debacle exposes Trump, it also exposes the real existential threat to America. We have abandoned many of the ideals that founded the country. We exercise no caution. We don’t respect our institutions, even the good ones. Many ignore the Constitution. Some want to gut it. Some openly embrace bigotry, deny science, despise free enterprise and hate the contributions made by immigrants — one of the coolest aspects of our national narrative. 

We have literally and metaphorically tried to erase our actual history in favor of a mythical past that never existed — even in bad LSD trips.

What we’re left with is an intolerant society where might makes right, the ends justify the means and Anthony Fauci is thought to be guilty of corruption, greed and crimes against humanity, with no more evidence than was presented in the Reflecting Pool case. 

That case has a singular importance because it displays Trump’s heartless and vindictive nature over the smallest issues. Indict before you investigate. Threaten the world, including your own U.S. attorney when the corruption is exposed. Rinse and repeat. Keep lying about everything.

There’s no case against the canoeist. There’s no case against Fauci. We can’t trust Trump on anything. He runs around like a chicken with his head cut off, trying to avoid questions about Jeffrey Epstein, his long list of no-bid contracts, and a wealth of other misdeeds. The press and the public also have that headless-chicken quality, running about reporting and consuming the latest outrages, while missing the larger point: Our government doesn’t work when we are at cross purposes. Of course being headless chickens we can’t think much. 

In other words, we cannot deal with the problems we face if we can’t face the fact that we have created most of our problems. Until we do that, all I see is my Aunt Bill “preparing” the chicken for dinner. And we’re the chicken.

The post Reflecting on Trump’s bottomless pool of corruption appeared first on Salon.com.

For Rep. Max Miller, shaking off allegations of domestic violence and child abuse should be an easy lift. The 43-year-old Ohio Republican benefits from a base that treats violence against women as a non-issue at best. In many cases, credible accusations against a GOP politician only bolsters his popularity with the MAGA base, who view men as the real victims of uppity women who should learn to keep their mouths shut. But as he aggressively attacks his ex-wife, Emily Moreno, and her father, Ohio Sen. Bernie Moreno, Miller’s behavior is as bizarre as it is unsettling. Even Republicans are starting to squirm. 

Miller faces an overwhelming number of accusations from Emily Moreno, including claims that he threw hot water at his ex-wife and held a gun to her head when they were married, and that he broke his two-year-old daughter’s collarbone. An in-depth investigation from Mother Jones revealed an apparent pattern of behavior that dates back to high school, when a fellow student said Miller threw her down a flight of stairs when she refused his sexual advances. He has also been accused of violence by a college classmate and his ex-girlfriend, former White House press secretary Stephanie Grisham, who filed for a temporary restraining order against him on Monday. (In 2021, after Grisham published an op-ed in the Washington Post detailing abuse by her boyfriend, whom she did not name but described as a White House staffer, Miller sued her for defamation. He later dropped his suit, and the pair signed a nondisclosure agreement.)

In the past, Republicans — especially Donald Trump — have successfully weathered accusations of sexual or physical violence, regardless of how many or how well-evidenced the claims, by leaning on stereotypes that paint women as petty liars. As he once did with Grisham, Miller is following the same playbook against Moreno, but he is running into a serious problem: He is so off-putting that even the president seems a little annoyed about defending him.

But Miller is also confronting a party that seems increasingly weary of dealing with the alleged sex pests and predators that have flooded the Republican ranks, welcomed by a president with boundless sympathy for men who, like himself, face credible accusations of violence against women. 

Miller has been racking up a series of unsettling on-camera appearances in which his attempts at defending himself instead reveal a deep well of dishonesty. In his initial livestream denying the allegations, he not only exhibited an odd demeanor, but he also falsely insisted that every accusation could be “traced back to a single source, my former wife.” While the police opted not to file charges in the child abuse case, a specialist during the investigation said the bruising on the former couple’s daughter looked hand-shaped. Miller has also cited an October 2024 statement from Moreno that he had never harmed their daughter, which is especially dishonest, since the collarbone incident happened more than a year later, in February 2026. In an apparent effort to minimize throwing hot water on Moreno, he released an audio recording in which he blames her — “I told you before that not to come over to me and start screwing around,” he says — and accuses her of “weaponing this because of my previous allegation.”

It got worse when Miller was interviewed Tuesday by CNN’s Jake Tapper, an appearance deemed “strange” by Michael Grynbaum of the New York Times, and the equivalent of “tweeting through it.” One especially noteworthy moment in the 23-minute segment came when Tapper asked if Miller had held his daughter’s blue bunny — which she needs to sleep — hostage. After attempting to dodge the question several times, he said “no.” On Thursday, Mother Jones published a series of text messages allegedly showing both Emily and Bernie Moreno pleading, over the course of months, for Miller to return the stuffed animal, only to be rebuffed, even after a family friend and then a lawyer got involved. Eventually, a parenting coordinator texted Emily Moreno: “l’ve suggested you keep the bunny at your house . . . in a high conflict divorce these situations blow up.”

The situation is so bad that many in the Republican professional class have declined to defend Miller. “I mean what the absolute f**k was that,” an anonymous GOP strategist told a CNN reporter right after the interview. Scott Jennings, a Republican pundit under contract with the network, went even further: He begged Miller to resign, saying he can’t keep “litigating this on national TV day after day.” 

Bernie Moreno, albeit belatedly, reacted to Miller’s behavior by defending his daughter, telling reporters he sent her, his granddaughter and his wife to a “secure place” out of state for their own safety. Some of his GOP colleagues in the Senate are joining him in condemning his former son-in-law. Ohio Sen. Jon Husted called on Miller to resign on Thursday. Montana Sen. Tim Sheehy was even more forceful, tweeting that Miller is “a degenerate sociopath” and asking “What kind of person would treat their daughter this way?”

For the record: Adult women do not deserve abuse either. But hey, defending a toddler is a good start. 

For his part, Trump kept up his long history of robust public support for men accused of violence against women, saying Miller is “a good person” and portraying the allegations as a mere family dispute. But according to an Axios report, the president privately called Miller and said “things aren’t looking good.”

While most Republican leaders are trying to avoid the situation, many are starting to express doubts about Miller to reporters. Although the House Ethics Committee opened an investigation into Miller this week, they only did so after he publicly demanded it, which means there is good reason to believe Miller thinks very little effort will go into discovering the truth. House Speaker Mike Johnson has been dodging the issue with mealy-mouthed language about allowing “this process to play out.” 

The ambivalence sadly makes sense from a political perspective, even though the moral failure is damning. After all, this is the same party that unquestioningly supports Trump, who has been credibly accused of sexual harassment and abuse by at least 18 women, including the writer E. Jean Carroll, who sued Trump twice and won in both cases.

---

Want more Amanda Marcotte on politics? Sign up for her free newsletter, Standing Room Only, now also on YouTube or wherever you get your podcasts.

---

Miller is clinging to Trump’s example, recalling how Trump “stayed in the fight” despite “dozens” of allegations of “nasty criminal misconduct,” and it may pay off. According to the Washington Post, many Republican voters are standing firm in their decision to back Miller. Most seemed to think he’s guilty, even as they used minimizing language. They told the Post they prefer a man they believe beats women to any Democrat.

Still, there are some intriguing signs that Republicans are growing weary of standing by gross and terrible men. Earlier this week, North Carolina Rep. Chuck Edwards agreed not to run for re-election, after the House Ethics Committee found “substantial reason to believe” he had “engaged in sexual harassment” of two young women on his staff. This follows the decision earlier this year by Rep. Tony Gonzales of Texas to step down after a staffer he was having an affair with died by suicide.

Florida Rep. Cory Mills managed to hold onto his seat after police came to his house in 2025 to investigate an alleged assault, which was followed a few months later with a restraining order to protect his ex-girlfriend based on a series of alleged threatening text messages. More recently, things have been going poorly for Mills; in July, the Justice Department opened an investigation into his conduct. Two of his fellow Sunshine State Republicans jumped ship in August when they endorsed his opponent, Ryan Elijah, in the August 18 GOP primary.

The most prominent creep rejection, though, might be from outside Congress. In July, right-wing influencers Andrew and Tristan Tate were detained in the U.S. last month and look likely to be extradited to the United Kingdom to stand trial for rape and sex trafficking. In 2025, the Tates thought they were going to escape justice by coming to the U.S., having cultivated friendships with Trump’s sons and various White House officials, one of whom, diplomatic envoy Richard Grenell, spoke with Romanian officials mere days before their government reversed course and let the brothers leave the country, despite pending sex abuse charges. But after their most recent arrest, it appears the Trump White House has decided to hang the Tates out to dry, even as they have pled for help in avoiding the British justice system.

After Andrew Tate’s most recent detention, the Guardian’s Moira Donegan wrote that his “style of masculinity is popular on the right,” before observing that that fact “does not mean that it is popular with the public.” With November’s midterms looming, that seems to be an increasing source of discomfort with Republicans. Loyal MAGA voters don’t mind gendered violence and, in many cases, hold men in higher esteem if they hate and abuse women.

But Republicans can’t win with base voters alone. They need to convince swing voters that the left’s accusations of misogyny are overblown and that accusations are false, rooted in political conspiracy and women’s alleged tendency towards hysteria. That’s getting a lot harder when the men claiming to be victims of lies make themselves impossible to take seriously. 

The post Max Miller tests GOP tolerance of terrible men appeared first on Salon.com.

Most of Donald Trump’s success in politics has stemmed from his reputation as a savvy dealmaker. But in his 11 years on the national political scene, that has been exposed as a fiction — a persona invented by Tony Schwartz, the ghostwriter for the president’s bestselling book “The Art of The Deal,” who followed him around for 18 months and realized in the process that no one would want to read a book about the real Trump. 

After Trump announced his run for president in 2015, Schwartz told the New Yorker’s Jane Mayer he felt deep remorse for creating this erroneous image of Trump, saying if he wrote the book today, he would call it “The Sociopath.” He said, “I genuinely believe that if Trump wins and gets the nuclear codes, there is an excellent possibility it will lead to the end of civilization.”

His words were startling, to say the least, but Schwartz’s description of the president’s true personality was revelatory. The man who touted himself as the world’s greatest dealmaker was a pathologically dishonest hype artist with the attention span of a four-year-old, described by Schwartz as having “a stunning level of superficial knowledge and plain ignorance” who seemed “driven entirely by a need for public attention.” His alleged negotiation prowess was actually nonexistent, as the multiple failures of his businesses should have made clear. 

In Trump’s first administration, it became obvious that his idea of dealmaking consisted of willingly succumbing to flattery by malevolent actors and ineffectually bellowing at allies. Professional diplomatic and national security advisers managed to steer him away from most disasters, although he commonly embarrassed the nation on the world stage by displaying his ignorance and fondness for sucking up to adversaries. 

Trump’s second term is a whole other story. 

The president has confused his “Art of the Deal” with the art of diplomacy, and they are most definitely not the same thing. Even if he were actually talented at the former, which he is not, it would have no bearing on the latter, and the consequences of that are turning out to be substantial and damaging. By this point, it’s a cliché that Trump is “transactional,” which many (if not most) people understand to mean he is negotiating on behalf of the American people, bringing riches and security to the nation. In reality, Trump’s often self-serving deals are gravely harming the national interest. 

Diplomacy isn’t just signing a particular agreement between two countries. That may be the culmination of negotiations or just the beginning, but it isn’t actually the goal, especially for a superpower. The aim is to manage relations between countries over the long term to maintain stability and predictability; it’s not a “winner take all” proposition. Credibility is everything for a country like the United States, and now, without it, we are unleashing powerful forces that will be very hard to control.

Trump is a pathological liar. Schwartz discovered that from the very beginning. He was attached to Trump at the hip for many months, listening in on every phone call, observing his conversations and racking his brain to figure out how to present the man as a lovable rogue rather than the damaged personality he really is. The whole world has seen this up close for the past decade. 

At first, allies depended upon the professional diplomatic and national security apparatus to continue to run things in spite of Trump’s erratic behavior and belligerence. They understood early on he loved pomp and circumstance, and that he was easily flattered by obsequious compliments, so they played along, giving him the pageantry of over-the-top state visits and paying homage to him at his properties and the White House. But for the most part, they were just trying to wait out the term, expecting that the American people would realize the error of their ways and revert to being a serious nation. 

This time around is different. A recent report in the Washington Post by Steve Hendrix and Anthony Faiola revealed that the world is no longer taking the U.S. seriously, leaving the government with no credibility. As a result, international relations are unstable and dangerous. 

---

Start your day with essential news from Salon.
Sign up for our free morning newsletter, Crash Course.

---

When Trump regained office the second time, the world quaked at his swagger, backed up by a bizarre tariff regime that seemed to be put together by Mad Libs. The markets dropped, recriminations flowed, and it looked as if Trump had finally been completely unleashed. To some extent, he had been. He and his close circle had decided to do whatever they wanted and see what they could get away with. But it soon became evident there wasn’t really any strategy or even any particular goals, despite the apparent participation of people like Elon Musk and the authors of Project 2025. In the end, it was all about Trump’s whims, which changed from minute to minute. 

The short attention span Schwartz described is now even more pronounced. The president’s obsession with building monuments to himself notwithstanding, he flits from subject to subject, bellowing threats to all who oppose him and rewarding his cronies with ever more obvious modes of corruption. 

The world has decided to stop paying attention. “[M]ost consequently,” Hendrix and Faiola wrote, “Iran refuses to bend under American bombs and reopen the Strait of Hormuz, and Russian President Vladimir Putin persists in his war in Ukraine. Europe met Trump’s recently renewed demands for Greenland with a collective sigh, and trading partners have shrugged off the latest tariffs.” 

Over the years, world leaders have had varying reactions to American presidents of both parties. But the country’s leaders have never been disregarded. 

Jeremy Shapiro, director of the U.S. program at the European Council on Foreign Relations, told the Post he was surprised at how long Trump’s bluffs and bellicosity had worked, crediting it to the “awesome power and deep, long-stored-up diplomatic capital of the United States” that Trump has “finally started to blow through.”

The president’s threats are now seen as empty, and his so-called deals aren’t worth the paper they’re printed on. This was most recently on display in mid-July when he made a big, splashy announcement of a nuclear deal with Saudi Arabia. Within a day, Trump added a poison-pill requirement by way of a Truth Social post that left the Saudis reeling. His threats to annihilate Iran are now falling on deaf ears because he’s all over the place, usually lying about the progress of diplomatic talks, showing that he’s full of bluster and bombast but lacks a strategy to win and ideas about how to get out. 

America’s political dynamics have us all just trying to hold on until he’s out of office so we can try to rebuild from the rubble. But the loss of credibility, the exposure of the nation’s weaknesses and the people’s willingness to put such a man in charge will not be easily repaired. The long-term damage to our international reputation, coupled with the weakness we are demonstrating in any number of areas, will leave us vulnerable for a long time to come.

The post The world is finally calling Trump’s bluff appeared first on Salon.com.

This story was originally reported by Shefali Luthra of The 19th. Meet Shefali and read more of their reporting on gender, politics and policy.

Todd Blanche — whom Republicans hope to confirm as attorney general by the end of the week — has indicated he could steer the Justice Department to prioritize national abortion restrictions, a major shift from how the Trump administration has handled the issue thus far.

In a call last week, Blanche, who is serving as both acting attorney general and deputy attorney general and has previously served as Trump’s personal lawyer, suggested that under his leadership, the department would prioritize restrictions on medication abortion.

“If states have said we are going to protect the unborn and we’re going to protect every life from the moment of conception, we’re putting practices and policies in place so that other states and other organizations can’t attack that,” Blanche said on a call organized by the White House Faith Office and posted online in full by Intercessors for America, a Christian organization. The call’s contents were first reported by Politico.

The remarks are only the latest to suggest that if confirmed, Blanche might take a more aggressive approach than his predecessor. In a July hearing before the Senate Judiciary Committee, Blanche said that if confirmed, he would commit to reviewing how the federal government interprets the Comstock Act, an anti-obscenity law from the 1800s that abortion opponents believe could be interpreted to prohibit the mailing of any drug used to terminate a pregnancy. 

Anti-abortion activists have been pressing the administration to revive the Comstock Act since the beginning of President Donald Trump’s second term; Trump has declined to do so.

When asked about the possibility of enforcing the law to ban mailing of abortion medications, the Department of Justice confirmed that its Office of Legal Counsel, which advises the president and attorney general, “is undertaking a thorough review” of policies and procedures related to abortion.

Blanche requires one more vote to secure support from a majority of the Senate. Two Senate Republicans — Lisa Murkowski of Alaska and Bill Cassidy of Louisiana — have not yet indicated whether they would vote to confirm him. Susan Collins, a Maine Republican up for re-election, said Tuesday she would not vote to confirm Blanche, citing his abortion-related remarks as a key factor.

The confirmation fight comes months before a midterm election in which Republicans — already facing an uphill battle to control both chambers of Congress — have largely avoided talking about abortion. Though reproductive rights dominated the 2024 election, polling suggests that the issue has taken a backseat, with voters primarily concerned about the cost of living. 

Still, national restrictions on abortion remain unpopular. 

Abortion pill restrictions have emerged as a top priority for the anti-abortion movement. Even as bans have proliferated across the country, medical professionals in protective states have continued to prescribe and mail them to people living under abortion bans. This telehealth practice is medically safe and has enabled thousands of people to circumvent their states’ laws and end their pregnancies. 

Anti-abortion activists have called on the federal government to intervene, arguing that the existence of this telehealth model has undercut states’ abilities to enforce bans. But so far, the Trump administration has taken no action to block telehealth abortion, despite pressure from top anti-abortion groups.

Blanche’s remarks suggest that could be changing, though it’s unclear when or how that shift might take place. 

In the White House Faith Office call, he did not reveal what approach the administration might take to limit the availability of abortion medication, or when any switch might take effect — only saying that “victory will be soon and victory will be permanent.” 

---

Start your day with essential news from Salon.
Sign up for our free morning newsletter, Crash Course.

---

Abortion opponents have pressed for the Food and Drug Administration to reverse its decision approving mifepristone, one of two drugs used in most abortions, to be dispensed without an in-person visit. The FDA is currently reviewing mifepristone’s approval, despite a vast body of medical research showing the drug’s safety and effectiveness, including by telehealth. 

They have also pressed for the Department of Justice to revive the Comstock Act to bar the mailing not only of mifepristone, but also misoprostol, an ulcer medication that is prescribed off-label as part of the abortion medication regimen. Under the Biden administration, the Justice Department argued that the Comstock Act could not be enforced to enforce a blanket ban on the mailing of mifepristone or misoprostol. 

Democrats have argued that Blanche’s remarks are disqualifying. 

“He wants to strip Americans of their right to choose and strip states of their right to govern,” Sen. Richard Blumenthal, a Democrat from Connecticut, said Tuesday during a meeting of the Senate’s Judiciary Committee.

Sen. Patty Murray, a Democrat from Washington, posted on the social media platform X that “Senators who vote for Blanche are voting for an Attorney General who will attack abortion rights in EVERY state.”

Abortion opponents are concurrently pursuing restrictions on mifepristone through the courts, notably in a case filed by Louisiana, in which the state has argued for the government to reverse its decision approving mifepristone for telehealth. That case is set to be heard by the 5th U.S. Circuit Court of Appeals in September.

The post Trump’s attorney general pick hints at making national abortion restrictions a priority appeared first on Salon.com.

Dr. Anthony Fauci is under congressional scrutiny following an appearance before a Senate committee last week, in which the former National Institutes of Health immunologist was grilled by elected officials over his response to the COVID-19 pandemic. On Thursday, the Senate Homeland Security Committee voted to hold Fauci in contempt of Congress over his repeated invocation of the Fifth Amendment. 

The committee’s chair, Sen. Rand Paul, R-Ky., has not been shy about his scorn toward Fauci, who led the pandemic response in the first Trump and Biden administrations. Paul floated conspiracy theories that the SARS-CoV-2 virus, which causes COVID, was leaked from a Chinese lab and that Fauci covered up this info. There is no conclusive evidence that the virus leaked from anywhere but nature, but that hasn’t stopped the Trump administration from promoting such theories.

Seemingly at the advice of his lawyers, Fauci declined to entertain this political side show. Nonetheless, he serves as a convenient scapegoat for the ongoing public health failures under President Donald Trump and Health Secretary Robert F. Kennedy Jr. 

As unfortunate as this sounds, COVID did not go away. The virus that sparked a global pandemic still regularly infects, disables and kills hundreds of people per week. Although it’s not anything like previous waves, right now cases are rising slightly across the country, especially in Alaska and Missouri, but also in California, Nevada, Hawaii, Florida, Louisiana and Mississippi. Waning immunity, viral mutations and a refusal for some people to stay up on vaccines are part of the reason why COVID is returning.

---

Start your day with essential news from Salon.
Sign up for our free morning newsletter, Crash Course.

---

This isn’t a pandemic anymore, according to experts, but that’s because the virus is now endemic — it’s a part of our daily lives like flu, HIV and other infectious diseases. Even once-eradicated diseases like measles are now all too common. COVID is also now a preventable disease. Vaccines, masking, improved indoor air quality and acquired immunity have all kept the virus at bay so that morgue trucks no longer fill the streets. Still, even a “mild” infection these days can be devastating and lead to long-term health problems.

But a big part of the reason COVID is endemic in the first place is because it wasn’t controlled early, like MERS and SARS-1 were, related viruses that never became pandemics. The first Trump admin completely botched its response to containing COVID, but now they can deflect from their past and current failures — including letting things like the cyclospora outbreak slip or allowing Ebola to balloon into the second biggest outbreak in history — by attacking Fauci and plugging baseless conjecture about COVID’s origins. Unfortunately, for some people, this strategy seems to be convincing.

The post Fauci is an easy scapegoat for pandemic revisionists  appeared first on Salon.com.

White drugs. Underage drinking. Absentee parents. Nonstop parties. Oh, to be a rich teenager in the 1980s, says “The Shards” in so many words. Too many, I’d say, but slapping droning voiceovers atop expository visuals isn’t for me. Piling too much on too much is both Ryan Murphy and Bret Easton Ellis’ signature, however, as seen in this TV collaboration between auteur and author.

“The Shards,” an adaptation of Ellis’ 2023 autobiographical novel, rewinds to his pre-“Less Than Zero” adolescence, when he was just Bret (Igby Rigney), a high school senior in lockstep with his hedonistic friends. When they aren’t snorting narcotics, everyone but Bret ignores evidence that a serial killer is circling ever closer.

---

Want more from culture than just the latest trend? The Swell highlights art made to last.
Sign up here

---

Ellis’ eroded faith in the safety of adults is a recurring theme in his work, but “The Shards” cynically wraps that in horror, celebrity, luxury brands and needle drops like the Pretenders’ “Bad Boys Get Spanked.” Pop singer Hayes Warner portrays Bret’s girlfriend Debbie, whose father and mother (Wes Bentley and Evan Rachel Wood) share their loveless relationship with a psychosexual lich (Broadway producer Jordan Roth).

That two of Bret’s other pals are played by Cindy Crawford’s daughter, Kaia Gerber, and Richard Gere’s son, Homer Gere, is also a classic Murphy move: The offspring of previously married ‘80s icons starring in a story about the era their parents ruled? Fabulous! So what if Gerber looks like she’s repeating 12th grade for the tenth time? Realism is not the point.

Instead, think of “The Shards” as a View-Master reel designed to give Gen Z a glimpse at the lost age of excess they’re pining for. Cocaine and smoking are back, after all, along with outsize glamour. Bret may lament childhood’s demise, but if you had helicopter parents, these throes probably look less like trash than fire.

New episodes of “The Shards”  premiere Wednesdays on FX and Hulu.

 

The post “The Shards” is oozing with Bret Easton Ellis vibes appeared first on Salon.com.

Mitch McConnell announced that he was being discharged from the hospital on Thursday, saying that he would “continue his recovery at home.”

“On the advice of my doctors, I’ll maintain an intensive regimen of physical therapy from home during the state work period, and I’ll continue to engage with my staff and colleagues on important Senate business,” the Kentucky senator shared in a statement.

McConnell was hospitalized in mid-June after being found unconscious in his D.C. home. The lack of information about the senior Republican’s condition, and a dearth of evidence that the 84-year-old was responsive, led commentators in both conservative and progressive spheres to speculate that he was much worse off than was being reported. The statement on Thursday revived those theories, as many wondered why there were no photos of McConnell leaving the rehabilitation center.

“It’s strange. No photos of Mitch McConnell leaving the rehab center,” wrote activist Charlotte Clymer on X. “Just a statement and reporters giving a quick salute.”

MAGA commentator Eric Spracklen called Mitch’s statement “suspicious” and wondered why TMZ’s D.C. bureau wasn’t waiting for McConnell outside of the hospital.

---

Start your day with essential news from Salon.
Sign up for our free morning newsletter, Crash Course.

---

Author and prolific poster Joyce Carol-Oates questioned whether McConnell was involved in the statement at all. 

“Did McConnell literally SAY these words publicly or is this a press release written by someone else?” she wrote. “No wonder rumors & disinformation spread here like black mold.”

McConnell plans to retire at the end of the year. Since his health scare, he has been facing pressure from Kentucky Gov. Andy Beshear to resign early if he can not prove that he’s fit to serve out the remainder of his term.  

The post “Suspicious”: McConnell hospital discharge revives conspiracy theories appeared first on Salon.com.

“This is not a story about a woman who made the best of traditional skills . . . This is the ‘woman’s pluck’ story, the dust-bowl story, the burying-your-child-on-the-trail story, the I-will-never-go-hungry-again story, the Mildred Pierce story, the story about how the sheer nerve of even professionally unskilled women can prevail, show the men; the story that has historically encouraged women in this country, even as it has threatened men.”

That prose could describe Lorraine Lyon, Jennifer Jason Leigh’s indomitable Queen of Debt and the true showstopper of “Fargo.” She seems the type, descending her spiral staircase into our lives (which she’d describe as “sad,” “little” or both) with an imperious purr of “I’m here,” before demanding a do-over when her lawyer on call ruins her entrance.

Lorraine makes the men around her nervous because she has little use for them. For what use are men to a woman with billions in the bank, six governors on speed dial and a personal liaison at the Federal Trade Commission? Her son and husband might as well be pets. She wears her power like a second skin and speaks a mid-Atlantic accent similar to the one Leigh used in “The Hudsucker Proxy,” only mellowed by casks of rare scotch and impatience with unrefined dullards.

Lorraine is not a hero, nor a pure villain, but one of the rarest forces in nature – a woman billionaire who can afford to buy respect or purchase punishments for those who don’t show her a healthy fear when she fires a warning shot.

One also gets the sense that Lorraine had to earn a good share of that influence, though. Maybe she was born rich, but not with the type of money she has. Her multibillion-dollar debt consolidation company is cruelly named Redemption Services. Redemption implies salvation or forgiveness, two graces Lorraine lacks for strangers and barely bestows on loved ones. Looming behind her office desk is a behemoth of a painting bellowing what we presume to be her motto: “No.”

By now you may have deduced that the passage quoted above is not about Lorraine. Joan Didion wrote that for The New Yorker about Martha Stewart, although the line that comes next in that paragraph could have easily been written about Lorraine’s Bisquick-mixing daughter-in-law Dorothy (Juno Temple). “The dreams and the fears into which Martha Stewart taps are not of ‘feminine’ domesticity but of female power,” Didion writes, “of the woman who sits down at the table with the men and, still in her apron, walks away with the chips.”

Assuming Lorraine is around the same age as the actor playing her, she would have learned plenty from the example set by Stewart’s public rise and fall, and her precarious choice to make her identity and image her brand. Didion’s essay was published four years before Stewart’s pristine if prickly image was undone by her implication in an insider trading scandal, in which she was found guilty of obstructing justice and lying to investigators.

Stewart’s empire was built on elevating the art of homemaking, winning the gratitude and millions of dollars of support from of underappreciated women everywhere. As many have written since, Stewart’s main sin was being a successful older woman. She was around 63 when she was sentenced to five months in prison.

Lorraine would have vowed to never go out like Stewart did, making her money by becoming the person who takes the good life for granted instead of toiling to create it.

She barely tolerates Dorothy until trouble comes knocking, threatening her son and her granddaughter, an intentional friction constructed by series creator Noah Hawley. Their rivalry continues the “Fargo” tradition of burdening women with having to constantly fight for every inch of the life they’ve won and the slightest esteem of the men surrounding them.

Lorraine’s battle readiness is the type one learns by competing against men – and it is mostly men in the billionaires’ club – and not only winning but routing them every single time. It’s the arrogance of a woman who never received respect or sympathy and therefore appears to have none to give.

Jennifer Jason Leigh and Richa Moorjani in “Fargo” (FX)One of the most satisfying subplots of the season involved a sexist pair of bank executives with whom Lorraine sits down, only for them to initially refuse to deal with her until she sets them straight by informing the two that she intends to buy their bank.

Even then, the bank’s top executive fears Jon Hamm’s sheriff Roy Tillman more than Lorraine, because what’s the worst a woman can do? Roy threatens the man to stop him from making the sale to Lorraine, simply because he doesn’t want “that woman” to profit on his territory.

And that makes Scandia police officer Indira Olmstead (Richa Moorjani) braver and more stalwart than she realizes.

When Lorraine first meets Indira, several episodes before she sits down with those good old boys, all she can see is a civil servant in debt up to her eyeballs.

“What is your function?” Lorraine asks Indira when they first meet in her office. “The police. I mean, why do we need you? . . . You’re gatekeepers standing outside the walls, keeping the rabble from getting in. But in here, inside these walls, you have no function. You should remember that.”

Women like Lorraine pride themselves on rarely being surprised, which works in Indira’s favor. She’s also constantly underestimated, leaving her with nothing to push back with except for her anger. So when Lorraine tries to shut her up by saying, “I don’t like your tone,” Indira replies, “Tough s**t. Some of us work for a living and go home to empty houses. Or houses that should be empty bedrooms filled with the dirty underpants of our man-child spouses. Your problem is you think that you’re rich because you’re better than me.”

Then Indira lists all the ways the two women are alike – more to the point, how alike Lorraine and Dorothy are, despite Lorraine’s dismissive refusal to look at her daughter-in-law’s police file showing the harrowing abuse she survived. In a single conversation Indira moves Lorraine from the conservative “People claiming to be victims are the downfall of this country” to offering Indira the job of heading her security team.

Moments after Indira walks out of Lorraine’s office, Dot’s mother-in-law gets on the phone with that banker who thought denying her was the safer choice. She opens that conversation with, “Are your balls in your belly looking for a safe place to hide? Good.” Mrs. Lyon then opens her devouring maw, listing all the ways she’s arranged to destroy the man’s life. These are not empty words but actions that have already been set in motion. “You want to know what your mistake was? It was thinking death is the worst thing that could happen to you.”

Lorraine’s epic chilliness contributes mightily to the delectability of this season of “Fargo,” offsetting its grim themes of spousal abuse and marriage as a chain of indebtedness. But her relative warming to Indira and Dorothy in the season’s second half makes her more compelling, moving what starts as a pair of adversarial relationships toward a team of women who understand each other, with one offering others a chance to succeed where bureaucracy and lazy men have failed them.

Helpfully we can see some version of this in reality. As Taraji P. Henson spills the details of how poorly treated the cast of “The Color Purple” were, she’s returned to mentioning that Oprah Winfrey’s intervention helped her get better pay and other benefits casts of primarily white productions receive, like drivers to the set.

“They [Warner Bros.] gave us rental cars, and I was like, ‘I can’t drive myself to set in Atlanta,’” the Oscar-and Emmy nominee told The New York Times.  “This is insurance liability, it’s dangerous. Now they robbing people. What do I look like, taking myself to work by myself in a rental car? So I was like, “Can I get a driver or security to take me?” I’m not asking for the moon. They’re like, ‘Well, if we do it for you, we got to do it for everybody.’ Well, do it for everybody!”

Since Henson first went public with her career-long struggles to get paid what she’s worth and treated with the same respect as her white peers, people have reverted to blaming Winfrey for failing her, playing into the classic tendency to pit high-profile women against each other. 

---

Want a daily wrap-up of all the news and commentary Salon has to offer? Subscribe to our morning newsletter, Crash Course.

---

But of Winfrey, one of the movie’s main executive producers, Henson posted on her Instagram, “She told me personally to reach out to her for ANYTHING I needed, and I did! It took ONE CALL . . . ONE CONVERSATION . . . and ONE DECISION-MAKING BLACK WOMAN to make me feel heard.”

Richa Moorjani in “Fargo” (FX)Who doesn’t love an aspirational power figure and fairy godmother who can make a few calls to reduce your problems if not make them entirely vanish? Hence the satisfaction of witnessing Lorraine’s steady shift from Mommy Dearest to vindictive she-dragon protecting what’s hers, including the two women she views as equals in gladiatorial terms if not financially.

Even so, Lorraine is a dangerous type of savior, playing into our culture’s poisonous trust of oligarchs and corporate titans hailed for their innovations and insufficiently questioned for their wrongdoing. And that may be intentional on the writers’ part, since presenting society as it is and not necessarily as we wish it were is the “Fargo” way.

Indira accepts Lorraine’s offer because it’s better pay than what the Scandia police can offer and a job with actual power and resources to save Dorothy – another woman who, like her, never asked for a handout and fought for the meager life she wants.

Indira achieves that by hitching her career to someone who benefits from the common person’s suffering, and that should not be lost on us. Neither should the new power she may wield as Lorraine’s new right hand, functioning as the single commodity the Queen of Debt needs but lacks: a conscience.

 

The post Power, respect and conscience: How the women of “Fargo” manage (up) in a man’s world appeared first on Salon.com.