The fad from my time, in a current lens
It's official: this is an era. The era of what I've snarkily dubbed the great big honkin' normal (BHN) lens. It's a distinct fad or craze that will probably be dated one day.
Here's DPReview's article about the forthcoming SongRaw Moonlit (15 elements in 10 groups, four ED [extra-low dispersion] elements, seven HR [high refractive index] elements, two aspherical elements). It's alleged to be the first full-frame ƒ/1.2 autofocus lens from a Chinese maker. No specs, prices, or availability in my country yet, that I know of. It appears to be Shenzhen SongRaw's only product so far.
These things don't appeal to me, but there might be a reason for that. In the early 1970s (I was 14 in 1971), Olympus made the first of its popular miniaturized 35mm bodies. Then-mighty Pentax followed suit—ever held an ME Super? Even Nikon, king of pro cameras back then, responded with a few small and svelte models: not just the FM and its similar-bodied stablemates; a few diehard iconoclasts will remember the EM and the Series-E lenses. The Contax 139Q that I went through photography school with was reasonably within the boundaries of the small and light body styles of the day. (I later got the larger, heavier Contax RTS II, and, to my surprise, didn't like it as well. It was promptly stolen from me, which I accepted as a sign from the Universe.) Leica rangefinders had always been small, at least as defined at the time—the Leica CL that my high school buddy Art Elkon had was even smaller. The Leica M lenses and the wonderful OM Zuiko line were mostly very light, small, and compact. The Leica C (for "compact") lenses for the CL even more so. That was the fashion at that time. It would be interesting to put the Olympus OM-Zuiko 50mm ƒ/1.2 next to the Songraw Moonlit. It might look like an original Austin Mini next to a Hummer*.
Small and light was the fad that I grew up with, is all. It was what was cool at the time. That's probably mostly why I like it. I got a little endorphin charge when I saw the Pentax 70mm ƒ/2.4 again, that I will be sending out with the Pentax Monochrome body—130g (4.6 oz.) with its built-in hood. That's it in the top illustration—and it's bigger than the 21mm that will also be in the box.
I suspect that today's younger photography and camera enthusiasts are growing up with a different fashion holding sway—and that when they're my age now, they'll be looking back with rosy nostalgia on the great big lenses of now as "the way things are supposed to be." They'll get that little charge when they see a great big oversized lens...like an old SongRaw Moonlit.
Nothing new under the sun....
Here's the manufacturer page for the SongRaw Moonlit. Pretty images. And a slick and well-made page, complete with MTF curves for ƒ/1.2 and ƒ/1.4.
Mike
CORRECTION: The first version of this article said the Moonlit is the first ƒ/1.2 lens from a Chinese lensmaker. It is the first full-frame autofocus lens of that speed. Management regrets the error, and will fire the writer as soon as a replacement is found.
*Actually the smallest car I ever saw (and sat in!) was the original Honda Civic. A dealer had one on display. It was a little larger than, say, a suit of armor.
That's an early Doug video, by the way. He's now a YouTube multimillionaire.
Original contents copyright 2025 by Michael C. Johnston and/or the bylined author. All Rights Reserved. Links in this post may be to our affiliates; sales through affiliate links may benefit this site. As an Amazon Associate I earn from qualifying purchases. (To see all the comments, click on the "Comments" link below or on the title of this post.)
Featured Comments from:
Sroyon: "I was born after the Olympus OM/Pentax ME era, but like you I'm a fan of small lenses. Nevertheless I was thinking perhaps we should differentiate between fast BHN (with a max aperture of ƒ/1.2 or wider) like the SongRaw, versus not-so-fast BHN (ƒ/1.4 and smaller). The way I see it, a full-frame autofocus ƒ/1.2 lens is bound to be big, unless they make dramatic compromises in optical quality. Whereas the not-so-fast BHN are generally big because the manufacturers wanted to make a lens which is extraordinarily well-corrected, at the expense of compactness and weight. Thus the motivations of people who buy fast versus not-so-fast BHN are probably somewhat different. Also I feel there are lots of new lenses being produced in general, especially with all the Chinese manufacturers joining the party. Including some very small lenses like the new Fuji 23mm ƒ/2.8, and 7Artisans' new 10mm ƒ/3.5. So there's a market for that too!"
Tom Burke: "Partaking as I do in a (different) forum dedicated for users of the Canon mirrorless camera that I use, I can report that a number of people buy a BHN (or the APS-C equivalent) because they’ve been told that the wider the maximum aperture, the greater the lens is. Having bought the lens, they then use it at that maximum aperture for most of their shots. Until they appeal for advice to the forum, at which point someone advises them to use a smaller aperture. But there’s a definite belief out there that an ƒ/1.4 or wider lens must be better than an ƒ/2 or even ƒ/2.8 lens, at all apertures."
BG: "Big honkin' cameras and big honkin' lenses were popular back in the SLR era, too. It's the macho I'm-a-serious he-man photographer thing. Look at the size of my cameras; it proves I am serious. Nothing changes over time...."
Maggie Osterberg: "When I was a teenager, I wanted everyone to know that I was a PROFESSIONAL PHOTOGRAPHER dammit! So, I had a big Nikon SLR, with a big potato-masher flash, and a big lens. Which looked pretty ridiculous on my then 5'2" frame! But by golly, folks knew I was serious. By the time I got to my forties, I figured out that unless you're shooting sports, big ≠ good. Best thing I ever did was to get a Leica, with nice small lenses, and then an X100. As E.F. Schumacher wrote, 'Small Is Beautiful.'"
James: "You could, instead of complaining, herald the Sigma Contemporary DG DN series. The 45mm is, in particular, a standout."
Mike replies: James, that's my lens.
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