Finalists for the 2026 Washington Science Fiction Association (WSFA) Small Press Award for Short Fiction have been announced:
“Not a Fish”, Andrew Dykstal (Beneath Ceaseless Skies 6/12/25)
“Half Life”, Stephen Harper (Skull X Bones)
“The Last Mardi Gras”, Raven Jakubowski (DreamForge Anvil 6/1/25)
“The Teleporting Disaster Fairy”, Rati Mehrotra (Uncanny 11-12/25)
“Blackrock”, R.M. Olson (Skull X Bones)
“Billionaire’s Tears”, Vanessa Ricci-Thode (Escape Pod 7/24/25)
“Guardians of the Well”, Rose Strickman (In Another Time 6/25)
“Bag of Holding”, Liz Westbrook-Trenholm (On Spec 10/25)
The award, recognizing “the best original short fiction published by small presses in the previous year,” will be presented at Capclave, to be held October 2-4, 2026 at the Rockville Hilton in Rockville MD. The winner will be chosen by members of WSFA. For more, see the WSFA Small Press Award website.
Wendy N. Wagner has announced that she will be stepping down as editor-in-chief of Nightmare Magazine to focus on writing, with the December 2026 issue being her last. Wagner wrote,
On the plus side, I’m simply returning the reins to our founder, John Joseph Adams. I am absolutely thrilled to see what he’ll do now that he’s had a bit of rest; his amazing work as a horror short fiction editor is what got me excited about short fiction in the first place! You can all look forward to a 2027 packed with thrilling and chilling new horror and dark fantasy.
I expect to spend the next few months feeling sad to say to goodbye and excited for the future. This magazine is such a special place, and the work we do here is so full of magic and delight. For a place called “Nightmare,” it’s actually a dream.
Wagner has also stepped down as senior editor at Lightspeed and is named Emeritus staff. In her place, associate publisher Christie Yant will assume the role of senior editor.
For more information, see the official announcements in Nightmare and Lightspeed.
The International League of Antiquarian Booksellers (ILAB) has reported a theft at the offices of antiquarian bookseller L.W. Currey, Inc. in Elizabethtown NY. The theft was the third targeting L.W. Currey, including one in February 2026. New York State Police are investigating the case.
Approximately 150 books were reported as stolen, including at least ten books by Isaac Asimov; at least 15 books by H.G. Wells; at least five each by Ray Bradbury and William Hope Hodgson; a $25,000 first edition, first printing of Dune by Frank Herbert; a $15,000 first edition, first issue, first binding of A Voyage of Arcturus by Lindsay David; $25,000 and $15,000 first edition copies of The Shadow over Innsmouth and The Shunned House by H.P. Lovecraft; and a $17,500 first edition of Nineteen Eighty-Four by George Orwell.
Currey said,
Break-in was last night bypassing security last night — total thefts over a quarter of a million. Most books are identifiable and some are unique.
Thief or thieves are knowledgable and target specific authors and genres. This is under active investigation and lists have been sent to stolen book database. I would like to publicize this for warning others.
ILAB has requested that its offices, those of the Antiquarian Booksellers Association of America (ABAA), or the booksellers John W. Knott, Jr. or L.W. Currey be contacted if the items reappear in the trade.
For more information, see the ILAB website or the L.W. Currey stolen books web page.
SF/F fan and bookseller Dave Nee, 73, died August 6, 2026 of an apparent heart attack.
David Chin-Kuo Nee was born in 1953. He attended high school in the San Francisco Bay Area and studied at the University of California, Berkeley. In 1974, he co-founded The Portable Bookstore with Debbie Notkin and Tom Whitmore as a service running books to local organizations. It would be renamed The Other Change of Hobbit and became a physical store in Berkeley at the suggestion of Sherry Gottlieb, founder of the eponymous bookstore A Change of Hobbit. The physical store relocated multiple times over the decades, finding homes in downtown Berkeley and El Cerrito, before closing in 2014.
Besides bookselling, Nee wrote bibliographies for Thomas M. Disch and Michael Bishop in 1982 and 1983. He also had a long-time involvement with San Francisco Pride, being chair of the SF Pride Safety Committee.
He is survived by his husband, David Scott Marley.
John William Crowley was born December 1, 1942 in Presque Isle ME, where his father, a doctor and captain in the Army Air Corps, was stationed. The family moved several times until settling in Indiana in 1953. He earned an English degree from Indiana University in 1964 and moved to New York City and worked in photography and documentary film writing. Crowley became a freelance writer in 1966, married his wife Laurie Block in 1984 and had twin daughters, and began teaching fiction at Yale University in 1993.
Crowley’s first novel, SF The Deep,was published in 1975. He soon published Beasts (1976), Engine Summer (1979), and Little, Big (1981), his first published work of fantasy and perhaps his best-known work, once called “a neglected masterpiece” by critic Harold Bloom. The novel won a World Fantasy Award and a Mythopoeic Award and was a finalist for a Hugo Award, a Nebula Award, a BSFA Award, and a Seiun Award. He went on to write the highly ambitious Ægypt series, beginning with Ægypt (1987) and followed by Love & Sleep (1994), Dæmonomania (2000), and Endless Things (2007); and he wrote other standalones including The Translator (2002), historical novels Lord Byron’s Novel: The Evening Land (2005) and Four Freedoms (2009), Mythopoeic Award and Grand Prix de l’Imaginaire winner and Locus and World Fantasy Award finalist Ka: Dar Oakley in the Ruin of Ymr (2017), and Flint and Mirror (2022).
Crowley’s shorter fiction is also celebrated, most notably “Great Work of Time” (1991), a World Fantasy Award winner and Nebula Award finalist for Novella. He wrote Hugo and Nebula Award nominee “Snow” (1985) and Locus Award winner and Hugo and Sturgeon Memorial Award finalist “Gone” (1996). His short fiction has been published in F&SF, Omni Best Science Fiction, Interzone, and Asimov’s, and collected in World Fantasy Award-winner Novelty (1989), Antiquities (1993), Novelties & Souvenirs (2004), Totalitopia (2017), and And Go Like This: Stories (2019). Some of his non-fiction was gathered as In Other Words (2007) and Reading Backwards (2019). His work was the subject of critical study Snake’s-Hands: The Fiction of John Crowley, Michael Andre-Driussi & Alice K. Turner, eds. (2003).
Crowley’s numerous awards include an American Academy and Institute of Arts and Letters Award in Literature (1992) and a World Fantasy Life Achievement Award (2006).
The winners of the 2026 Aurora Awards for works by Canadians were announced in an online awards ceremony on August 9, 2026, hosted by Elizabeth May Anderson and Mark Leslie Lefebvre.
Best Novel
WINNER: The Downloaded 2: Ghosts in the Machine, Robert J. Sawyer (Shadowpaw) amazon / bookshop
A Shift of Time, Julie E. Czerneda (DAW) amazon / bookshop
Emily Wilde’s Compendium of Lost Tales, Heather Fawcett (Del Rey) amazon / bookshop
Direct Descendant, Tanya Huff (Astra House; DAW) amazon / bookshop
A Palace Near the Wind, Ai Jiang (Titan) amazon / bookshop
“In the Gardener’s Service”, Michèle Laframboise (Asimov’s 7-8/25)
The First Thousand Trees, Premee Mohamed (ECW) amazon / bookshop
“The Lure of Stone”, Silvia Moreno-Garcia (Uncanny 9-10/25)
Best Short Story
WINNER: “The Stone Played at Tengen”, R.H. Wesley (Clarkesworld 11/25)
“Hunted To Extinction”, Premee Mohamed (The End of the World As We Know It: New Tales of Stephen King’s The Stand)
“What If We Kissed While Sinking a Billionaire’s Yacht?”, Rachel A. Rosen (Antifa Lit Journal, Volume 1: What If We Kissed While Sinking a Billionaire’s Yacht?)
“the love song of house and lake”, Gillian Secord (On Spec 9/25)
“I Ain’t Your Doll Face”, Jacqueline Thorpe (Polar Borealis 3/25)
Best Graphic Novel/Comic
WINNER: Shark Girl, Kate Beaton (Quill and Quire)
“Bonds of the Forest“, Ally Rom Colthoff (Augur 8.3)
Questionable Content, Jeph Jacques (self-published)
It Never Rains, Kari Maaren (self-published)
Atana and the Jade Mermaid, Vivian Zhou (HarperAlley)
Best Related Work
WINNER: Year’s Best Canadian Fantasy and Science Fiction: Volume Three, Stephen Kotowych, ed. (Ansible) amazon
Augur 8.1-8.3, Azure Arther, Kerry C. Byrne, André Geleynse, Toria Liao & Kelley Tai, eds.
On Spec Vol 35, #131-134, Diane L. Walton, ed. (The Copper Pig Writers’ Society)
Clive Barker and Joyce Carol Oates have been announced as the recipients of the 2026 World Fantasy Awards for Lifetime Achievement, presented annually to individuals who have demonstrated outstanding service to the fantasy field. The final ballot for the 2026 World Fantasy Awards was previously announced.
The awards will be presented during the 2026 World Fantasy Convention, to be held October 22-25, 2026 in Oakland CA.
For more information, see the World Fantasy Convention website.
The Queensland Writers Centre (QWC) has updated the entry guidelines for the 2026 Aurealis Awards, established to recognize the best in Australian speculative fiction, making changes including expanded terms for entry fees.
The Aurealis Awards were established in 1995 by Chimaera Publications, the team behind the magazine Aurealis. The Awards later partnered with different organizations to administer them. According to the Aurealis Awards web page, these have included “Fantastic Queensland, SpecFaction NSW, Conflux Inc. (ACT), the Western Australian Science Fiction Foundation (WASFF), Continuum Foundation (Vic), and the Canberra Speculative Fiction Guild (CSFG).” In August 2025, the Aurealis Awards announced “new overlords” on a web page no longer available, and the QWC later established the new web page for the Awards, in which they note that the QWC is “anchoring the awards ceremony within the vibrant programming of GenreCon.”
According to online sources, when the WASFF started overseeing the awards, fees were introduced for titles entered into all novel categories, as well as anthology and collections categories, each entry incurring a $10 cost. However, as of this time, the prior Aurealis Awards website now forwards to the QWC website, which does not show archival pages for the old website, making authoritative verification challenging.
The 2026 entry guidelines set entry fees as $30 for Best Science Fiction Novel, Best Fantasy Novel, Best Horror Novel, and Best YA Novel; $5 for the four short story categories; and $20 for other categories, with “belonging discounts” for QWC members and GenreCon ticketholders.
In response to the changes, authors Alan Baxter and Matt Tighe shared an open letter to the QWC expressing concerns about the entry fees:
The change to the fees is onerous, and a large change compared with the full history of the awards. This is perceived by many as a ‘pay to play’ situation that favours those able to absorb the cost, and disadvantages self-publishing authors and small presses as well as authors whose publishers won’t take on the costs. The new structure will ensure that many works worthy of consideration will not be submitted, and favours larger publishers and well-established authors.
As well, the reduced fees for QWC or GenreCon members is perceived as a clear conflict of interest between award management and the financial operation of the Centre, as well as a disadvantage to authors in regional, remote, or interstate areas for which the above is not practical nor feasible. No costs to enter an award should be passed onto the authors, and especially no preference given to some authors over others.
The letter also expresses concerns about changes to rules, in particular arguing there is “lack of clarity around judge autonomy” and highlighting the rule that works shortlisted for multiple categories can only win in one, saying, “This is an impeachment on judge impartiality and artificially restricts works that blend genre or that cross categories.” The letter requests that the guidelines should also include a “clear statement that AI-generated work is not eligible.”
The letter was sent July 18, 2026 “with almost 250 signatures,” including authors and editors such as Leigh Blackmore, Jeff Clulow, Gabino Iglesias, T.R. Napper, Cat Sparks, and Kaaron Warren.
On July 20, the post was updated to report a reply to the letter: “Thank you for sharing this finally. Because it is so close to our Management Committee meeting we will hold it over for their consultation on the 28th. We will be in touch after that. I will update as and when we hear more.” The meeting was reportedly later delayed to August 10.
Dragon Con has announced the ballot for the 2026 Dragon Awards.
Best Science Fiction Novel
God’s Junk Drawer, Peter Clines (Blackstone)
The Faith of Beasts, James S.A. Corey (Orbit)
Operation Bounce House, Matt Dinniman (Ace)
Radiant Star, Ann Leckie (Orbit US)
Slow Gods, Claire North (Orbit US; Orbit UK)
The Shattering Peace, John Scalzi (Tor; Tor UK)
Best Fantasy Novel (Including Paranormal)
Twelve Months, Jim Butcher (Ace)
Academy of Outcasts, Larry Correia (Aethon)
The Lost Reliquary, Lyndsay Ely (Saga)
Hell to Pay, Sherrilyn Kenyon (Oliver Heber)
Red City, Marie Lu (Tor)
Queen Demon, Martha Wells (Tor)
Best Young Adult / Middle Grade Novel
Make Me a Monster, Kalynn Bayron (Bloomsbury YA)
Ride or Die, Delilah S. Dawson (Delacorte)
The Executioners Three, Susan Dennard (Tor Teen)
Hazelthorn, CG Drews (Feiwel & Friends)
Sky on Fire, E.K. Johnston (Dutton Books for Young Readers)
Queen of Faces, Petra Lord (HarperCollins)
Best Alternate History Novel
World War 3.2, John Birmingham (Gigantic Bombs)
No Man’s Land, Richard K. Morgan (Del Rey)
A Resistance of Witches, Morgan Ryan (Viking)
The Winds of Fate, S.M. Stirling (Baen)
The Unnecessary War, Brian C. Thompson (self-published)
Powerless, Harry Turtledove (Caezik)
Best Horror Novel
The Possession of Alba Díaz, Isabel Cañas (Berkley; Solaris UK)
Play Nice, Rachel Harrison (Berkley)
King Sorrow, Joe Hill (Morrow; Headline UK)
The Bewitching, Silvia Moreno-Garcia (Del Rey; Arcadia UK)
Girl in the Creek, Wendy N. Wagner (Tor Nightfire)
Best Illustrative Book Cover
Jeff Brown for The Sapphire Heart, Abigail Bender, Victoria Hungria & Sandra Mead Miller (Three Scribes)
Dominic Harman for The Ishtar Deception, James L. Cambias (Baen)
T. Kingfisher for Hemlock & Silver (Tor; Tor UK)
Carson Lowmiller for Brigands & Breadknives, Travis Baldree (Tor)
Anna Moshak for The Second Death of Locke, V.L. Bovalino (Forever)
Joe Wilson for Pretenders to the Throne of God, Adrian Tchaikovsky (Head of Zeus)
Best Comic Book or Graphic Novel
Absolute Superman, Jason Aaron, illustrated by Rafa Sandoval
X-Men: Elsewhen, John Byrne
Daredevil, Stephanie Phillips, illustrated by Lee Garbett
Absolute Batman, Scott Snyder, illustrated by Nick Dragotta
Absolute Wonder Woman, Kelly Thompson, illustrated by Hayden Sherman
Something is Killing the Children, James Tynion IV, illustrated by Werther Dell’Edera
Best Science Fiction or Fantasy TV Series, TV or Internet
Alien: Earth
The Boys Season 5
Fallout Season 2
Foundation Season 3
A Knight of the Seven Kingdoms
Plur1bus
Strange New Worlds Season 3
Widow’s Bay
Best Science Fiction or Fantasy Movie
Superman
Project Hail Mary
Disclosure Day
Predator: Badlands
Frankenstein
The Sheep Detectives
Star Wars: The Mandalorian and Grogu
Toy Story 5
Finalists in digital and tabletop gaming-related categories were also announced. Winners will be announced at Dragon Con, to be held September 3-7, 2026 in Atlanta GA.
The World Fantasy Awards ballot for works published in 2025 has been announced. The awards will be presented during the 2026 World Fantasy Convention, scheduled for October 22-25, 2026 in Oakland CA.
The World Fantasy Awards finalists are:
Best Novel
Audition for the Fox, Martin Cahill (Tachyon)
Once Was Willem, M.R. Carey (Orbit US; Orbit UK)
The Secret Market of the Dead, Giovanni De Feo (Saga)
The Everlasting, Alix E. Harrow (Tor US; Tor UK)
The Adventures of Mary Darling, Pat Murphy (Tachyon)
Best Long Fiction
The River Has Roots, Amal El-Mohtar (Tordotcom; Arcadia)
“The Secret Diary of Mina Harker”, Theodora Goss (Letters from an Imaginary Country)
“Uncertain Sons”, Thomas Ha (Uncertain Sons and Other Stories)
The Death of Mountains, Jordan Kurella (Lethe)
“The Spotter”, Josh Malerman (You, Human: An Anthology of Dark Science Fiction, Vol. 2)
Psychopomp & Circumstance, Eden Royce (Tordotcom)
A Mouthful of Dust, Nghi Vo (Tordotcom)
Best Short Fiction
“The Hungry Mouth at the Edge of Space and the Goddess Knitting at Home”, Renan Bernardo (Reactor 8/27/25)
“In My Country”, Thomas Ha (Clarkesworld 4/25)
“10 Visions of the Future; or, Self-Care for the End of Days”, Samantha Mills (Uncanny 3-4/25)
“St. Dymphna’s School for Borderland Girls”, Jocelyn Szczepaniak-Gillece (Weird Horror Spring ‘25)
“Unfinished Architectures of the Human-Fae War”, Caroline M. Yoachim (Uncanny 5-6/25)
Best Anthology
Night & Day, Ellen Datlow, ed. (Saga)
Storyteller: A Tanith Lee Tribute Anthology, Julie C. Day, Carina Bissett & Craig Laurance Gidney, eds. (Essential Dreams)
The Best Weird Fiction of the Year: Volume 1, Michael Kelly, ed. (Undertow)
Year’s Best Canadian Fantasy & Science Fiction: Volume Three, Stephen Kotowych, ed. (Ansible)
Bog People: A Working-Class Anthology of Folk Horror, Hollie Starling, ed. (Chatto & Windus)
Best Collection
Letters from an Imaginary Country, Theodora Goss (Tachyon)
Uncertain Sons and Other Stories, Thomas Ha (Undertow)
The Eleventh Hour: A Quintet of Stories, Salman Rushdie (Random House; Jonathan Cape)
Black Hole Heart and Other Stories, K.A. Teryna, tr. Alex Shvartsman (Fairwood)
Best Artist
Galen Dara
Kathleen Jennings
Daniele Serra
Rachel Smythe
Charles Vess
Special Award – Professional
Clive Bloom, for London Uncanny: A Gothic Guide to the Capital in Weird History and Fiction (Bloomsbury Academic)
Jaymee Goh, Jill Roberts & Jacob Weisman, for Tachyon Publications
Tim Lucas, for Succubus (PS/Electric Dreamhouse)
Blumhouse & Dave Schilling, for Horror’s New Wave: 15 Years of Blumhouse (Simon Element)
Becky Siegel Spratford, for Why I Love Horror: Essays on Horror Literature (Saga)
Richard Wolinsky, for Space Ships! Ray Guns! Martian Octopods!: Interviews with Science Fiction Legends (Tachyon)
Special Award – Non-Professional
Scott H. Andrews, for Beneath Ceaseless Skies
Andy Cox, for Remains
Patrick Swenson, for Fairwood Press and for the Rainforest Writers Village Retreat
Elise C. Tobler, for The Deadlands
Wendy Wagner, for Nightmare
The Life Achievement Awards recipients have not yet been announced.
This year’s judges are Chịkọdịlị Emelụmadụ, Tamsyn Muir, Madeleine E. Robins, Richard Thomas, and Ann VanderMeer. For more information, see the WFC website.
Fan and organizer Robin Johnson, 89, died July 6, 2026 in Ballarat, Australia of underlying causes after a fall.
Johnson was born March 9, 1937 and lived variously in Melbourne, Sydney, Hobart, and Ballarat, as well as in England. He chaired the first Australian Worldcon in 1975 as well as Thylacons 1-3. He was awarded the Ditmar Awards Special Award in 1974 and in 1983, and he received the Big Heart Award at Worldcon in 2007.
Russell Kirkpatrick, 65, died June 26, 2026 in Canberra Hospital. He was diagnosed with aggressive melanoma.
Kirkpatrick was born April 11, 1961 in Christchurch, New Zealand. He received a PhD in geography from the University of Canterbury and was at separate times a lecturer at the University of Waikato and the University of Canberra. He wrote the Fire of Heaven series and the Husk series, the latter known as Broken Man in the US and UK. Fire of Heaven is Across the Face of the World (2004), In the Earth Abides the Flame (2004), and The Right Hand of God (2005). The Broken Man series is Path of Revenge (2007), Dark Heart (2008), and Beyond the Wall of Time (2008). All three Broken Man books won Sir Julius Vogel Awards. He also wrote Silent Sorrow (2021), the first and only title in the Book of Remezov series.
Titan US publicity director Katharine T. Carroll, 68, died June 28, 2026. The cause was attributed to aortic dissection.
Carroll was born Katharine Trowbridge in January 1958. She attended Manhattan Country School, Riverdale Country School, and Boston University and lived in New York City and Maine. She began work as a publicist in 1980 with Time Inc., formed her own publicity consulting company in 1990, then joined Titan Publishing Group’s US branch as a publicist in 2008. She went on to work for Titan for 18 years. She is survived by her three children and mother.
On July 20, the US District Court for the Northern District of California granted final approval of the $1.5 billion settlement proposed in class action suit Bartz v. Anthropic PBC, in which authors accused the Amazon-backed company of illegally obtaining and using their books to teach its AI system.
According to a Bloomberg report, Bartz v. Anthropic is “the largest copyright class action settlement in US history,” paying “about $3,100 per author of more than 480,000 works,” with claims being filed for 440,490, that were downloaded from Library Genesis and Pirate Library Mirror by Anthropic. $122 million of the settlement money will go toward attorneys and litigation costs.
Judge Araceli Martinez-Olguin said the settlement “provides meaningful relief to the Settlement Class given the reasonable range of Class Members’ possible recoveries, especially since further litigation would likely be complex, expensive, lengthy, and risky. The estimated per-work payment of approximately $3,000 is four times the minimum statutory damages amount for willful infringement.”
Maria A. Pallante, President and CEO of the Association of American Publishers, said in a statement:
We applaud the court’s final approval of this settlement, which represents an important victory in the larger battle to hold big tech accountable for its unscrupulous appropriation of intellectual and creative properties that clearly belong to authors and publishers. In this case, the court recognized that downloading from pirate sites is not a choice we should simply accept as an efficiency for the infringer; on the contrary, it’s abhorrent conduct that should never be normalized.
Nor should fair use extend to training, which can easily be licensed like every other digital use in the modern copyright economy. Tech companies might like a copyright law with a giant hole in the place of exclusive rights, but that law does not exist. Partnerships, not piracy, are the best path forward.
Matt Haig announced on Instagram plans to open a “bookshop and coffee place” called Golden, to be located in Brighton UK in the Seven Dials neighborhood, which according to Haig does not currently have a bookshop. The shop aims to open “by Christmas.”
Haig said,
My belief, as someone who grew up in a town without a bookshop, is that all communities should have a bookshop because bookshops save civilisation and make life interesting. This bookshop will be about freedom. We won’t be pushing things we don’t
want to push. Just good books. Curated by me and people I trust. Mind-bending books. Tearful books. Banned books. Fun books. Graphic novels. Kids books. Grownup books. Really cool music and art books. Books with words. Books that have no words but are really gorgeous to flick through. Books that are actually vinyl records. The best dead and living writers. It will also have some comfy places to sit and drink some really good coffee. The occasional evening event. No stuffy vibes. No genre snobbery. No high/low book classism. You are welcome here. And so is your dog.
Since the announcement, Haig reported receiving over 200 applications and work enquiries, and has created an email to handle work enquiries: hello@thegoldenbookshop.com, though he says that “we are still in the early phases and won’t be able to respond to everyone and at this point don’t know yet everything we need.”
Stephen King’s 1982 collection Different Seasons (Warner) is the most recent book banned from all public schools in Utah after being removed in four school districts. Utah state law requires a book to be removed state-wide if a sufficient number of districts identify it as “objective sensitive material,” which is defined in state code as “instructional material that constitutes pornographic or indecent material.” The Davis School District website comments that “[t]here is sexual stimulation, arousal, and masturbation in the book.”
The collection includes four novellas: “Rita Hayworth and Shawshank Redemption: Hope Springs Eternal”, “Apt Pupil: Summer of Corruption”, “The Body: Fall from Innocence”, and “The Breathing Method: A Winter’s Tale”. Three of the stories were adapted to film as The Shawshank Redemption, Stand By Me, and Apt Pupil.
According to the Utah State Board of Education website, this is the latest of 36 book bannings from Utah public schools, including five books in Sarah J. Maas’s Court of Thorns and Roses series and one book in the Throne of Glass series, George R.R. Martin’s A Clash of Kings (Voyager UK; Bantam Spectra US), and Stephen King’sBag of Bones (Simon & Schuster).
The Libertarian Futurist Society (LFS) has announcedA Kiss for Damocles by J. Kenton Pierce (Raconteur) [amazon / bookshop] as the winner of the Prometheus Award in the Best Novel category, honoring pro-freedom works published in 2025. Other nominees were:
War By Other Means, Karl K. Gallagher (Kelt Haven) amazon
No Man’s Land Volumes 1-3, Sarah A. Hoyt (Goldport) amazon / bookshop
Powerless, Harry Turtledove (Caezik SF & Fantasy) amazon / bookshop
Storm-Dragon by Dave Freer (Raconteur) won the first Special Prometheus Award Winner for Young Adult Fiction.
Brave New World, a 1932 title by Aldous Huxley (Chatto & Windus), is the winner of the Prometheus Hall of Fame Award for Best Classic Fiction. Other finalists were:
The Star Dwellers, James Blish (Faber & Faber; Avon)
That Hideous Strength, C.S. Lewis (Scribner)
Salt, Adam Roberts (Gollancz)
Singularity Sky, Charles Stross (Ace)
Nominees for Hall of Fame may be in any narrative or dramatic form, including prose fiction, stage plays, film, television, other video, graphic novels, song lyrics, or epic or narrative verse; they must explore themes relevant to libertarianism and must be science fiction, fantasy, or related genres. All members of the Libertarian Futurist Society were eligible to vote.
“The 46th annual Prometheus Awards will be presented online Sunday afternoon Aug. 16, 2026, in a zoom awards ceremony open to the public. This year’s hourlong ceremony, tentatively scheduled for 2-3 p.m. Eastern time and emceed by LFS President William H. Stoddard, will feature a guest speaker: Lifelong science-fiction fan Ilya Somin (George Mason University law professor, Cato Institute scholar and author), who will present the Hall of Fame award.”
For more information, see the official press release.
SF poet and author Suzette Haden Elgin is the winner of the 2026 Cordwainer Smith Rediscovery Award, intended to bring attention to lesser-known SF and fantasy authors. Her first story publication, “For the Sake of Grace”, was in F&SF in 1969. She wrote several SF series leaning into her background in linguistics and was the founder of the SFPA, now the Science Fiction & Fantasy Poetry Association.
The award was announced at Readercon 35, held July 9-12, 2026 in Burlington MA. The jury members are Ann VanderMeer, Steven H Silver, and Rich Horton.
The winners of the 2025 Shirley Jackson Awards for outstanding achievement in horror, psychological suspense, and dark fantasy fiction were announced Saturday, July 11, 2026 at Readercon 35 in Burlington MA, hosted by Readercon guests of honor P. Djèlí Clark and David Gerrold.
Novel
WINNER: Bat Eater and Other Names for Cora Zeng, Kylie Lee Baker (Hanover Square)
Old Soul, Susan Barker (G.P. Putnam’s Sons)
How to Fake a Haunting, Christa Carmen (Thomas & Mercer)
Witchcraft for Wayward Girls, Grady Hendrix (Berkley)
Moonflow, Bitter Karella (Run For It)
The Lamb, Lucy Rose (HarperCollins)
Novella
WINNER: The Death of Mountains, Jordan Kurella (Lethe)
The Glass Garden, Jessica Lévai (Lanternfish)
Psychopomp & Circumstance, Eden Royce (Tordotcom)
The Cold House, A.G. Slatter (Titan)
DuMort, Michelle Tang (Ghost Orchid)
Novelette
WINNER: “Emily”, Vanessa Santos (Make a Home of Me)
Letter Slot, Owen King (Amazon Original Stories)
“The Severity of Things”, Mo Moshaty (Clairviolence: Tales of Tarot and Torment)
“The Millay Illusion”, Sarah Pinsker (Uncanny 11-12/25)
The Confirmed Bachelors, Stephen Volk (Black Shuck)